Language Creativity: A Semiotic Perspective frames the concept of creativity within a linguistic dimension by developing a theoretical reflection with constant references to contact languages and to the educational plan. Through the concept of creativity and linguistic rule, Simone Casini highlights how knowing and using a language does not mean using the rules of its grammar, or making well-made phrases that guarantee understanding and communication. Learning and using a language are social activities, constantly hovering between the risks of misunderstanding and the attempt to create upon the field an understanding between users: a meaning that is possible (but not guaranteed) provided that the users themselves are willing to move within creativity to try to identify the most appropriate semiotic roads to convey and create meaning. In the perspective Casini proposes, semiotic creativity abandons the condition of the linguistic property inter pares and rises to the rank of theoretical and first principle by which languages define themselves, function and interact in the negotiation of meaning in relation to the social uses. This book considers creativity as a premise for the rule changing of boundaries of meaning and creation of language and meaning. Casini progresses from the historical-critical concept of creativity and discusses the most philosophical and linguistic theories in the North American and European context.
Industry Reviews
""Il libro ¨ coraggioso: non ha paura di affrontare alcune fra le pi¹ complesse questioni che riguardano i processi di costruzione del senso. un libro che con coraggio si pone al punto di incontro di veri e propri continenti di questioni: il rapporto fra le prospettive semiotiche europee e quelle nordamericane; il piano dei processi individuali di creativit e la dimensione collettiva, sociale; l'analisi teoretica dei processi e la dimensione applicativa, soprattutto nel campo linguistico-educativo. Non un libro di sintesi, dunque, ma una proposta interpretativa basata su una solida base teorica e di storia delle idee.
The book is courageous: it is not afraid to address some of the most complex issues surrounding the processes of building meaning. It is a book that courageously places itself at the meeting point of real continents of issues: the relationship between the European and the North American semiotic perspectives; the plan of individual processes of creativity and the collective, social dimension; and the theoretical analysis of processes and application dimension, especially in the linguistic-educational field. Not a book of synthesis, therefore, but an interpretive proposal based on a solid theoretical basis and history of ideas.""