An epic history of Islam and the Middle East through the cities which best epitomized it
Islamic civilization was once the envy of the world. From a succession of glittering, cosmopolitan capitals, Islamic empires lorded it over the Middle East, North Africa, Central Asia and swathes of the Indian subcontinent. For centuries the caliphate was both ascendant on the battlefield and triumphant in the battle of ideas, its cities unrivalled powerhouses of artistic grandeur, commercial power, spiritual sanctity and forward-looking thinking.
Islamic Empires is a history of this rich and diverse civilization told through its greatest cities over fifteen centuries, from the beginnings of Islam in Mecca in the seventh century to the astonishing rise of Doha in the twenty-first.
It dwells on the most remarkable dynasties ever to lead the Muslim world - the Abbasids of Baghdad, the Umayyads of Damascus and Cordoba, the Merinids of Fez, the Ottomans of Istanbul, the Mughals of India and the Safavids of Isfahan - and some of the most charismatic leaders in Muslim history, from Saladin in Cairo and mighty Tamerlane of Samarkand to the poet-prince Babur in his mountain kingdom of Kabul and the irrepressible Maktoum dynasty of Dubai. It focuses on these fifteen cities at some of the defining moments in Islamic history: from the Prophet Mohammed receiving his divine revelations in Mecca and the First Crusade of 1099 to the conquest of Constantinople in 1453 and the phenomenal creation of the merchant republic of Beirut in the nineteenth century.
About the Author
Justin Marozzi has spent most of his professional life living and working in the Muslim world, with long assignments in Iraq, Libya, Afghanistan, Pakistan, Egypt, Morocco, Tunisia, Syria, Lebanon and Somalia. He is a former Trustee of the Royal Geographical Society and a Senior Research Fellow in Journalism and the Popular Understanding of History at Buckingham University. His previous books include South from Barbary- Along the Slave Routes of the Libyan Sahara (2001), the bestselling Tamerlane- Sword of Islam, Conqueror of the World (2004) and The Man Who Invented History- Travels with Herodotus (2008). His last book, Baghdad- City of Peace, City of Blood (2014) won the Royal Society of Literature's Ondaatje Prize and was praised by the judges as 'a truly monumental achievement'.
Industry Reviews
Marozzi is an outstanding guide to the urban centres he expounds on, partly because of his deep understanding and love for the peoples and places he writes about. . . . The succession of delightful pen portraits of rulers, as well as writers, artists and scholars, makes for a riveting read. This is a fine book that helps recentre our understanding of the past by focusing on cities about which little is known in Europe, in spite of their enduring importance and the role they have played in history. It is a compelling and personal account by an author who knows, cares and has thought deeply about his subject matter. It is a new Hudud alAlam, the famous 10thcentury Persian geography book, for the 21st century informing, revealing and delighting in some of the parts of the world that everyone should know about.
* The Sunday Times *
This impressively clever, careful, and often beautiful book is the best sort of journey. . . Our guide is never predictable, continually fascinating, and his elegant writing makes for a very comfortable ride.
Jason Burke * The Spectator *
Islamic Empires is a seemingly boundless trove of intellectual, architectural, and actual treasures ... Marozzi writes colourful, narrative history of the finest kind: pacey, crimson, and with all the references left until the end.
* Geographical Magazine *
Deeply engaging and fascinating
Noel Malcolm * The Sunday Telegraph *
It is refreshing to read a book on Islam by someone who combines profound erudition with emotional intelligence and empathy. . . . A continuously readable narrative . . . For each of the cities included there is a wellrounded chapter, with an illuminating history, a perceptive analysis of personalities and politics, and a fairminded assessment of its intellectual, artistic and architectural achievements.
Avi Shlaim * The Financial Times *
The approach is perfect [and] the balance between telling detail and telling story is spot on. With its fine drawing and mass of minute detail, reading the book is more like poring over the framed miniatures in a manuscript: here a Moghul lolls by a pool, there a Timurid rampages across the page. The prose, too, is beautifully paced, sprightly but never tiring. And the city portraits build up into a panorama of Islamic civilisation as full as any history, and far more entertaining.
Tim MackintoshSmith * The Evening Standard *
