| List of illustrations | p. xi |
| General editors' preface | p. xiv |
| Preface | p. xix |
| Introduction | p. 1 |
| The challenges of Hamlet | p. 1 |
| The challenge of acting Hamlet | p. 2 |
| The challenge of editing Hamlet | p. 8 |
| The challenge to the greatness of Hamlet: Hamlet versus Lear | p. 13 |
| Hamlet in our time | p. 17 |
| The soliloquies and the modernity of Hamlet | p. 18 |
| Hamlet and Freud | p. 26 |
| Reading against the Hamlet tradition | p. 32 |
| Hamlet in Shakespeare's time | p. 36 |
| Hamlet at the turn of the century | p. 36 |
| The challenge of dating Hamlet | p. 43 |
| Was there an earlier Hamlet play? | p. 44 |
| Are there any early references to Shakespeare's play? | p. 47 |
| Can me date Hamlet in relation to other contemporary plays? | p. 49 |
| Hamlet's first performances | p. 53 |
| The story of Hamlet | p. 59 |
| Murder most foul | p. 59 |
| An antic disposition | p. 64 |
| 'Sentences', speeches and thoughts | p. 70 |
| The composition of Hamlet | p. 74 |
| The quartos and the Folio | p. 74 |
| The quartos | p. 74 |
| The First Folio | p. 78 |
| The relationship of Q2 to Q1 | p. 80 |
| The relationship of F to Q2 | p. 82 |
| What, then, of Q1? | p. 85 |
| Editorial practice | p. 87 |
| Why a three-text edition? | p. 91 |
| Hamlet on stage and screen | p. 95 |
| Hamlet and his points | p. 95 |
| Enter the director | p. 109 |
| Hamlet and politics | p. 115 |
| Novel Hamlets | p. 122 |
| Hamlet meets Fielding, Goethe, Dickens and others | p. 122 |
| Hamlet and women novelists | p. 126 |
| Prequels and sequels | p. 131 |
| The continuing mystery of Hamlet | p. 132 |
| The Tragical History of Hamlet, Prince of Denmark The Second Quarto (1604-5) | p. 139 |
| Appendices | |
| Folio-only passages | p. 465 |
| The nature of the texts | p. 474 |
| The early printed texts | p. 474 |
| The early quartos | p. 474 |
| The First Folio | p. 482 |
| The quartos and folios after 1623 | p. 485 |
| Modern editors at work | p. 486 |
| The written text | p. 487 |
| The performed text | p. 493 |
| The printed text | p. 494 |
| The multiple text | p. 496 |
| A common position? | p. 500 |
| Our procedure as editors of Hamlet | p. 506 |
| Determining transmission | p. 506 |
| Editorial principles | p. 509 |
| Lineation and punctuation | p. 518 |
| Textual tables | p. 523 |
| Editorial conventions and sample passages | p. 533 |
| Conventions | p. 533 |
| Proper names | p. 533 |
| Act and scene numbers | p. 533 |
| Commentary | p. 533 |
| Textual notes | p. 534 |
| Sample passages | p. 536 |
| The act division at 3.4/4.1 | p. 543 |
| The editorial tradition | p. 543 |
| The theatrical tradition | p. 548 |
| Our decisions for the new Arden Hamlet | p. 551 |
| Casting | p. 553 |
| Music | p. 566 |
| Abbreviations and references | p. 569 |
| Abbreviations used in notes | p. 569 |
| Works by and partly by Shakespeare | p. 569 |
| Editions of Shakespeare collated | p. 571 |
| Other works cited | p. 576 |
| Index | p. 599 |
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