Gothic Machine

Textualities, Pre-Cinematic Media and Film in Popular Visual Culture, 1670-1910

By: David J. Jones

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Hardcover | 30 June 2011 | Edition Number 1

At a Glance

Hardcover
240 Pages

Edition Type
New edition

Dimensions(cm)
22.2 x 14.4 x 2.4

Hardcover

RRP $175.00

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This book reveals some of the exciting inter-relations between Gothic Horror literature, film and magic lantern shows. It is an innovative work, providing new insights into how Gothic Horror as a whole started, with the genesis of the Frankenstein films, and encourages the reader to think of the relations between such books and films as one vibrant set of energies. It examines the connection between Gothic and film studies and the media. Jones provides a useful referencing tool for academic departments and explores the advent of film in the 1890's and its relation to French Symbolist literature, and the Lumieres Brothers, as well as the link between Schiller, de Sade and Robertson's Fantasmagorie.

Industry Reviews

Gothic Machine is an interesting piece of scholarship precisely because it refuses that type of chronological and even sequential structure. Instead, it prefers to relish on the interconnections between different forms of media and how their languages may coalesce and expand our meaning and understanding of them. Aside from being a very thorough introduction to the role of visual technology and optical illusion up until the release of the first Frankenstein adaptation (J. Searle Dawley, 1910), Jones' book manages to achieve what only good academic volumes do: it creates an awareness of the pressing need to consider what had, until now, only been invoked as part of a niche area of study. Xavier Aldana Reyes, University of Lancaster

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