| Preface | |
| Introduction: To Speak the Unspeakable: Implications of Gender, "Race," Class, and Culture | p. 1 |
| The "Knife in the Tongue": The Politics of Speech and Silence | |
| "Unnameable by Choice": Multivalent Silences in Adrienne Rich's Time's Power | p. 25 |
| The Devil and the Virgin: Writing Sexual Abuse in Incidents in the Life of a Slave Girl | p. 38 |
| "It's an Unbelievable Story": Testimony and Truth in the Work of Rosario Ferre and Rigoberta Menchu | p. 62 |
| Native Witness, White "Translator": The Problematics of Tran/scribing in Elsa Joubert's Poppie Nongena | p. 80 |
| Domestic Politics: Violence on the Home Front | |
| From the Country of the Colonized: Virginia Woolf on Growing Up Female in Victorian England | p. 95 |
| The Silent Child within the Angry Woman: Exorcising Incest in Sylvia Molloy's Certificate of Absence | p. 111 |
| The Unspeakable: Mary Gordon and the Angry Mother's Voices | p. 124 |
| Dead Angels: Are We Killing the Mother in the House? | p. 135 |
| Structures of Oppression: Subjectivity and the Social Order | |
| Angry Eyes and Closed Lips: Forces of Revolution in Nawal el Saadawi's God Dies by the Nile | p. 147 |
| Economic Violence in Postcolonial Senegal: Noisy Silence in Novels by Mariama Ba and Aminata Sow Fall | p. 158 |
| Up against the National Canon: Women's War Memoirs from Malaysia and Singapore | p. 172 |
| The Muslim Woman as Hero in Daneshvar's Savushun: A Novel about Modern Iran | p. 189 |
| Collective Silence, Collective Voice: Toward Community | |
| "The Law Is the Law - and a Bad Stove Is a Bad Stove": Subversive Justice and Layers of Collusion in "A Jury of Her Peers" | p. 203 |
| Returning to the Site of Violence: The Restructuring of Slavery's Legacy in Sherley Anne Williams's Dessa Rose | p. 219 |
| The Holocaust and the Witnessing Imagination | p. 231 |
| Dangerous Admissions: Opening Stages to Violence, Anger, and Healing in African Diaspora Theater | p. 247 |
| Revolting Texts: Transgression (and) Transformation | |
| Mastectomy, Misogyny, and Media: Toward an Inclusive Politics and Poetics of Breast Cancer | p. 267 |
| "Love Is a Supreme Violence": The Deconstruction of Gendered Space in Etel Adnan's Sitt Marie-Rose | p. 282 |
| Disrupting the Deadly Stillness: Janice Mirikitani's Poetics of Violence | p. 291 |
| "Wild Tongues Can't Be Tamed": Gloria Anzaldua's (R)evolution of Voice | p. 305 |
| Works Cited | p. 323 |
| Contributors | p. 345 |
| Index | p. 349 |
| Table of Contents provided by Blackwell. All Rights Reserved. |