Routledge Research in Cultural and Media Studies

Introduction: Cinematic, Televisual or Post-Serialities

Ariane Hudelet and Anne Cr©mieux

Part 1: Serial Specifities

1. Opening Gambits: Cross-Media Self-Reflexivity and Audience Engagement in Serial Cinema, 1936-2008

Felix Brinker and Ilka Brasch

2. Ensemble Storytelling: Dramatic Television Seriality, the Melodramatic Mode, and Emotions

E. Deidre Pribram

3. The Cinematic-Televisual: Rethinking Medium Specificity in Televisionâs New Golden Age

C.E. Harris

Part 2: Marketing Seriality

4. A Forgotten Episode in the History of Hollywood Cinema, Television and Seriality: The Case of the Mirisch Company

Paul Kerr

5. Diversions in the Hunger Games Film Series: The Fragmented Narrative of Hijacked Images

Chlo© Monasterolo

6. Raising Caine: Hollywood Remakes of Michael Caine's Cockney Cycle

Agnieszka Rasmus

Part 3: Seriality and the Cinematic/Televisual Convergence

7. The (Re)Making of a Serial Killer: Replaying, âPreplayingâ and Rewriting Hitchcockâs Psycho in the Series Bates Motel

Dennis Tredy

8. Fargo (FX, 2014-) and Cinema: âJust Like in the Movieâ?

Sylvaine Bataille

9. Screening Dreams: Twin Peaks, from the Series to the Film, back again and beyond

Sarah Hatchuel

Part 4: Meta-Serialities

10. In-between Still and Moving Pictures: Series and Seriality in Stephen Poliakoffâs Serial Drama Shooting the Past (1999)

Nicole Cloarec

11. âThe Abominable Brideâ (Douglas Mackinnon, 2016): Sherlock and Seriality

Christophe Gelly

12. Subject Positions and Seriality in The Good Wife

Samuel Chambers