How wealthy American women--as consumers and as influencers--helped shape French couture of the late nineteenth century; lavishly illustrated.
How wealthy American women--as consumers and as influencers--helped shape French couture of the late nineteenth century; lavishly illustrated.
French fashion of the late nineteenth century is known for its allure, its ineffable chic--think of John Singer Sargent's Madame X and her scandalously slipping strap. For Parisian couturiers and their American customers, it was also serious business. In Dressing Up, Elizabeth Block examines the couturiers' influential clientele--wealthy American women who bolstered the French fashion industry with a steady stream of orders from the United States. Countering the usual narrative of the designer as solo creative genius, Block shows that these women--as high-volume customers and as pre-Internet influencers--were active participants in the era's transnational fashion system.
Block describes the arrival of nouveau riche Americans on the French fashion scene, joining European royalty, French socialites, and famous actresses on the client rosters of the best fashion houses--Charles Frederick Worth, Doucet, and Felix, among others. She considers the mutual dependence of couture and coiffure; the participation of couturiers in international expositions (with mixed financial results); the distinctive shopping practices of American women, which ranged from extensive transatlantic travel to quick trips downtown to the department store; the performance of conspicuous consumption at balls and soirees; the impact of American tariffs on the French fashion industry; and the emergence of smuggling, theft, and illicit copying of French fashions in the American market as the middle class emulated the preferences of the rich. Lavishly illustrated, with vibrant images of dresses, portraits, and fashion plates, Dressing Up reveals the power of American women in French couture.
Winner of the Aileen Ribeiro Grant of the Association of Dress Historians; an Association for Art History grant; and a Pasold Research Fund grant.
Industry Reviews
"This handsomely illustrated, anecdotal volume illuminates the symbiotic relationship between late-19th-century Parisian fashion houses and their well-to-do American clients. Block, a senior editor for the Metropolitan Museum of Art's publication department, writes winningly."
-the Washington Post
Winner of the Victorian Society in America Book Award, 2022
"Like The Gilded Age, Elizabeth L. Block's Dressing Up puts the women of the era-and their dresses-at the center of its narrative. Block's new book frames the wealthy elites who shaped the Gilded Age economy, culture, and politics as consumers, and focuses on the wives and daughters of elite businessmen and financiers. Such an emphasis allows Block not only to insert women and women's agency more meaningfully into Gilded Age history, but also to explore the economic consequences of the fashion trade. In Block's narrative, elite women were more than a passive manifestation of Thorstein Veblen's 'conspicuous consumption.' They were active players in a transatlantic network of commerce, power, and privilege that allowed them a position of influence within U.S. society by turning fashion and the dresses they wore into cultural capital."
- Library Journal
