Ilya Kaminsky's astonishing parable in poems asks us, What is silence?
Poetry Book Society Choice 2019
Deaf Republic opens in a time of political unrest in an occupied territory. It is uncertain where we are or when, in what country or during what conflict, but we come to recognise that these events are also happening here, right now. This astonishing parable in poems unfolds episodically like a play, its powerful narrative provoked by a tragic opening scene: when soldiers breaking up a protest kill a deaf boy, the gunshot becomes the last thing the citizens hear - in that moment, all have gone deaf. Inside this silence, their dissent becomes coordinated by sign language. The story then follows the private lives of townspeople encircled by public violence: a newly married couple, Alfonso and Sonya, expecting their child; the daring Momma Galya, instigating the insurgency from her puppet theatre; and Galya's puppeteers, covertly teaching signs by day and by night heroically luring soldiers one by one to their deaths behind the curtain.
At once a love story, an elegy, and an urgent plea, Deaf Republic confronts our time's vicious atrocities and our collective silence in the face of them.
About the Author
Ilya Kaminsky was born in the former Soviet Union and is now an American citizen. He is the author of a previous poetry collection, Dancing in Odessa, and coeditor of The Ecco Anthology of International Poetry. He has received a Whiting Award, a Lannan Literary Fellowship, and a Guggenheim Fellowship, and was named a finalist for the Neustadt International Prize for Literature. His work has been translated into more than twenty languages.
Industry Reviews
"Kaminsky's Deaf Republic is both rigorous and profound. Kaminsky reveals himself as a showman of narrative, informed by a deep sense of character and tension, as well as a skillful lyricist, present with each syllable, each letter, each rhythm the breath makes as it darts its ways around his sparse and elegant poems."
Michigan Quarterly Review
"In Kaminsky's lines, sound takes visible shape. The ordinary things of the world transmogrify, and a small detail, stripped down, takes on the weight of a country."
The Critical Flame
"A riveting and emotional story line with parallels to the author's life, which relies on plain spoken diction, repetition, and small moments of romantic desire to anchor its larger political themes."
Publishers Weekly, starred review
"The product of 15 years of meditation, this chilling work--an important warning about the forces of repression and a quiet salute to the courage of the few who resist--heralds the maturity of an important voice in world poetry."
Library Journal, starred review