Dead Man's Blues

City Blues Quartet: Book 2

By: Ray Celestin

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Paperback | 5 January 2022

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Paperback
496 Pages

Dimensions(cm)
19.7 x 13.1 x 3.6

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*Shortlisted for the CWA Gold Dagger for Best Crime Novel of 2017*

Chicago, 1928. In the stifling summer heat three disturbing events take place. A clique of city leaders is poisoned in a fancy hotel. A white gangster is found mutilated in an alleyway in the Black Belt. And a famous heiress vanishes without a trace.

Pinkerton detectives Michael Talbot and Ida Davis are hired to find the missing heiress by the girl’s troubled mother. But it proves harder than expected to find a face that is known across the city, and Ida must elicit the help of her friend Louis Armstrong.

While the police take little interest in the Black Belt murder, crime scene photographer Jacob Russo can’t get the dead man’s image out of his head, and so he embarks on his own investigation.

And Dante Sanfelippo – rum-runner and fixer – is back in Chicago on the orders of Al Capone, who suspects there’s a traitor in the ranks and wants Dante to investigate. But Dante is struggling with problems of his own as he is forced to return to the city he thought he’d never see again . . .

As the three parties edge closer to the truth, their paths cross and their lives are threatened. But will any of them find the answers they need in the capital of blues, booze and corruption?

Dead Man’s Blues is the gripping second installment in Ray Celestin's prize-winning City Blues quartet. It is followed by the third book in the series, The Mobster's Lament.

About the Author

Ray Celestin is a novelist and screenwriter based in London. His debut novel, The Axeman’s Jazz, won the CWA New Blood Dagger for best debut crime novel of the year, and was featured on numerous ‘Books of the Year’ lists. His follow-up, Dead Man’s Blues, won the Historia Historical Thriller of the Year Award, and was shortlisted for a number of other awards, including the CWA Gold Dagger for best crime novel of the year. The novels are part of his City Blues series, which charts the twin histories of jazz and the Mob through the middle fifty years of the twentieth century.

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