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Contemporary Black British Playwrights : Margins to Mainstream - Lynette Goddard

Contemporary Black British Playwrights

Margins to Mainstream

By: Lynette Goddard

Hardcover | 17 March 2015

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The first decade of the twenty-first century has been described as witnessing a 'cultural renaissance' of black British playwriting, demonstrated by an increased visibility at London's main theatres, including the National Theatre, the Royal Court, the Soho Theatre, the Tricycle, and even in the West End. At the forefront of this increased visibility are four key playwrights, Kwame Kwei-Armah, debbie tucker green, Roy Williams, and Bola Agbaje, whose plays arguably exemplify twenty-first century black British playwrights' engagement with topical social issues, which have warranted their increased recognition by the mainstream. Through an exploration of these four playwrights' portrayal of a range of topical themes, such as urban crime and violence, domestic and sexual abuse, immigration and asylum, the prison system, global poverty, genocide, and the Iraq War, this book explores both the critical frameworks for analysis of new black playwriting, while mapping the socio-political and theatrical conditions that have heralded the shift from the margins to the mainstream.

Industry Reviews

"Goddard (Royal Holloway, Univ. of London, UK) explores contemporary black British theater through close analyses of work by Kwame Kwei-Armah, debbie tucker green, Roy Williams, and Bola Agbaje. ... Summing Up: Recommended. Lower-division undergraduates through faculty and professionals; general readers." (T. F. DeFrantz, Choice, Vol. 53 (8), April, 2016)


"A major strength is undoubtedly that they systematically provide insightful and pertinent contextualising chapters that map out the changing concerns of black Britain as well as the broader historical, political, theoretical and cultural terrain of the period under scrutiny. ... Scrupulously researched and clearly written, these studies will serve as key resources for students, teachers, scholars, practitioners and non-academic audiences alike." (Cyrielle Garson, Journal of Contemporary Drama in English, Vol 6 (2), November, 2018)


"Dr Lynette Goddard's excellent book is an important contribution to the study of post-millennial black British theatre, lucidly written and accessible both to scholars and general readers. She explores in detail plays by leading contemporary black dramatists, including Roy Williams, Kwame Kwei-Armah, debbie tucker green and Bola Agbaje. However, the plays are not simply discussed as isolated dramatic texts but also as significant expressions of the current state of Britain as a multiracial society." - Dr D Keith Peacock, Emeritus Research Scholar, University of Hull, UK

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