The Contributors | p. x |
Introduction to the 1994 Edition | p. 1 |
Introduction to the 1966 Edition | p. 7 |
Introduction to the Stories | p. 13 |
Stories | |
The Picture of Dorian Gray | p. 17 |
Lord Arthur Savile's Crime | p. 160 |
The Canterville Ghost | p. 184 |
The Sphinx Without a Secret | p. 205 |
The Model Millionaire | p. 209 |
A House of Pomegranates | |
The Young King | p. 213 |
The Birthday of the Infanta | p. 223 |
The Fisherman and his Soul | p. 236 |
The Star-Child | p. 260 |
The Happy Prince | |
The Happy Prince | p. 271 |
The Nightingale and the Rose | p. 278 |
The Selfish Giant | p. 283 |
The Devoted Friend | p. 286 |
The Remarkable Rocket | p. 294 |
The Portrait of Mr. W.H. | p. 302 |
Introduction to the Plays | p. 352 |
Plays | |
The Importance of Being Earnest | p. 357 |
Lady Windermere's Fan | p. 420 |
A Woman of No Importance | p. 465 |
An Ideal Husband | p. 515 |
Salome | p. 583 |
The Duchess of Padua | p. 606 |
Vera, or the Nihilists | p. 681 |
A Florentine Tragedy | p. 721 |
La Sainte Courtisane | p. 734 |
Introduction to the Poems | p. 739 |
Poems | |
Ye Shall Be Gods | p. 745 |
Chorus of the Cloud Maidens | p. 747 |
From Spring Days to Winter | p. 748 |
Requiescat | p. 748 |
San Miniato | p. 749 |
By The Arno | p. 749 |
Rome Unvisited | p. 750 |
La Bella Donna Della Mia Mente | p. 752 |
Chanson | p. 753 |
Untitled (See the gold sun has risen) | p. 753 |
Untitled (She stole behind him where he lay) | p. 754 |
The Dole of the King's Daughter | p. 755 |
Love Song | p. 756 |
Tristitiae | p. 757 |
The True Knowledge | p. 758 |
Heart's Yearnings | p. 758 |
The Little Ship | p. 759 |
[characters not reproducible] (Song of Lamentation) | p. 760 |
Lotus Land | p. 762 |
Desespoir | p. 763 |
Lotus Leaves | p. 763 |
Untitled (O loved one lying far away) | p. 765 |
A Fragment from The Agamemnon of Aeschylos | p. 766 |
A Vision | p. 768 |
Sonnet on Approaching Italy | p. 768 |
Sonnet (written in Holy Week at Genoa) | p. 769 |
Impression de Voyage | p. 769 |
The Theatre at Argos | p. 769 |
Urbs Sacra Aeterna | p. 770 |
The Grave of Keats | p. 770 |
Sonnet: on the massacre of the Christians in Bulgaria | p. 771 |
Easter Day | p. 771 |
Sonnet: on Hearing the Dies Irae sung in the Sistine Chapel | p. 772 |
Italia | p. 772 |
Vita Nuova | p. 773 |
E Tenebris | p. 773 |
Quantum Mutata | p. 773 |
To Milton | p. 774 |
Ave Maria Gratia Plena | p. 774 |
Wasted Days | p. 775 |
The Grave of Shelley | p. 775 |
Santa Decca | p. 776 |
Theoretikos | p. 776 |
Amor Intellectualis | p. 777 |
At Verona | p. 777 |
Ravenna | p. 778 |
Magdalen Walks | p. 786 |
The Burden of Itys | p. 786 |
Theocritus | p. 795 |
Nocturne | p. 796 |
Endymion | p. 796 |
Charmides | p. 797 |
Ballade de Marguerite | p. 814 |
La Belle Gabrielle | p. 815 |
Humanitad | p. 816 |
Athanasia | p. 826 |
The New Helen | p. 828 |
Panthea | p. 830 |
Phedre | p. 835 |
Queen Henrietta Maria | p. 835 |
Louis Napoleon | p. 836 |
Madonna Mia | p. 836 |
Roses and Rue | p. 837 |
Portia | p. 839 |
Apologia | p. 839 |
Quia Multum Amavi | p. 840 |
Silentium Amoris | p. 841 |
Her Voice | p. 841 |
My Voice | p. 842 |
[characters not reproducible] (Sweet, I blame you not...) | p. 843 |
The Garden of Eros | p. 844 |
Ave Imperatrix | p. 851 |
Pan | p. 854 |
The Artist's Dream or San Artysty | p. 856 |
Libertatis Sacra Fames | p. 858 |
Sonnet to Liberty | p. 859 |
Taedium Vitae | p. 859 |
Fabien Dei Franchi | p. 860 |
Serenade | p. 860 |
Camma | p. 861 |
Impression du Matin | p. 862 |
In the Gold Room | p. 862 |
Impressions: 1. Les Silhouettes; 2. La Fuite de la Lune | p. 863 |
Impression: Le Reveillion | p. 864 |
Helas! | p. 864 |
To V.F. | p. 864 |
To M.B.J. | p. 865 |
Impressions: 1. Le Jardin; 2. La Mer | p. 865 |
Le Jardin Des Tuileries | p. 866 |
The Harlot's House | p. 867 |
Fantaisies Decoratives | p. 868 |
Under the Balcony | p. 869 |
To My Wife | p. 870 |
On the Sale By Auction of Keats' Love Letters | p. 870 |
The New Remorse | p. 871 |
Canzonet | p. 871 |
With a Copy of 'A House of Pomegranates' | p. 872 |
Symphony in Yellow | p. 872 |
La Dame Jaune | p. 873 |
Remorse | p. 873 |
In The Forest | p. 874 |
The Sphinx | p. 874 |
The Ballad of Reading Gaol | p. 883 |
Poems in Prose | |
The Artist | p. 900 |
The Doer of Good | p. 900 |
The Disciple | p. 901 |
The Master | p. 901 |
The House of Judgment | p. 902 |
The Teacher of Wisdom | p. 903 |
Introduction to Essays, Selected Journalism, Lectures and Letters | p. 907 |
Essays, Selected Journalism, Lectures and Letters | |
The House Beautiful | p. 913 |
The Decorative Arts | p. 926 |
Personal Impressions of America | p. 938 |
Mrs Langtry as Hester Grazebrook | p. 942 |
Woman's Dress | p. 945 |
Mr Whistler's Ten O'Clock | p. 948 |
Dinners and Dishes | p. 950 |
Hamlet at the Lyceum | p. 952 |
Olivia at the Lyceum | p. 955 |
A Handbook to Marriage | p. 957 |
Balzac in English | p. 959 |
A Ride Through Morocco | p. 962 |
The American Invasion | p. 964 |
Two Biographies of Keats | p. 957 |
Aristotle at Afternoon Tea | p. 970 |
Mr Morris on Tapestry | p. 973 |
London Models | p. 975 |
De Profundis | p. 980 |
Two Letters to the Daily Chronicle | p. 1060 |
The Decay of Lying | p. 1071 |
Pen, Pencil and Poison | p. 1093 |
The Critic as Artist | p. 1108 |
The Truth of Masks | p. 1156 |
The Soul of Man Under Socialism | p. 1174 |
The Rise of Historical Criticism | p. 1198 |
A Few Maxims for the Instruction of the Over-Educated | p. 1242 |
Phrases and Philosophies for the Use of the Young | p. 1244 |
Appendices | |
Chronological Table | p. 1247 |
Order of Poems (1882) | p. 1252 |
List of Original Dedications in Wilde's Published Works | p. 1254 |
Index of First Lines of Poems | p. 1255 |
Bibliography | p. 1258 |
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