| Foreword | p. xiii |
| Introduction | p. xv |
| Editors' Note | p. xv |
| Making Movies With Kids On The Lower East Side | p. 1 |
| Young Filmmakers | p. 5 |
| Yankin' On Pull My Daisy | p. 7 |
| Harry Smith: A Lower East Side Legend | p. 11 |
| Tell all the Scum Of Baghdad the Legacy of Jack Smith | p. 15 |
| Baroque on the Lower East Side: Jack Smith's Flaming Creatures and Telephone Messages from Ed Marshall | p. 25 |
| Wait For Me at the Bottom of the Pool: The Writings Of Jack Smith | p. 29 |
| Media Mecca and Mayhem: Ferment on the Lower East Side | p. 31 |
| Paul Morrissey on the Lower East Side | p. 35 |
| A Syracuse Rebel in New York | p. 41 |
| A Bowl of Cherries | p. 57 |
| Bill Rice | p. 59 |
| Emile de Antonio 1989 | p. 71 |
| Twenty Questions with Taylor Mead in Love | p. 79 |
| On the Importance of Anthology Film Archives: A Historical Overview and Endorsement | p. 85 |
| Jonas Mekas | p. 89 |
| A Few Notes on My Life on the Lower East Side & Cinema | p. 97 |
| The Millennium Film Workshop in Love | p. 101 |
| 25 Years, 26 Books: The Millennium Film Journal | p. 105 |
| The Lower East Side on Film | p. 107 |
| The 60s; Notes on the Underground | p. 113 |
| Scotch and Kodak; After Hours: A Look At Rafic | p. 121 |
| Ginsberg at Home | p. 131 |
| Allen Ginsberg to New Realties | p. 135 |
| Henry Flesh | p. 137 |
| Shooting on Seventh Street | p. 139 |
| The Provocative Confessions of a Poet/Video Artist | p. 143 |
| Jeffrey Lerer Interview | p. 149 |
| More Than a Few Words: Amos Poe Speaks the Truth | p. 169 |
| No New Cinema: Punk and No Wave Underground Film 1976-1984 | p. 173 |
| No Wave Cinema, 1978-87 - Not a Part of Any Wave: No Wave | p. 179 |
| Video Vapors | p. 185 |
| Michael Auder | p. 189 |
| Arleen Schloss Interview | p. 193 |
| Lower East Side Video X-Ray Warning | p. 207 |
| Radical Player, Radical Mind, Radical Video | p. 213 |
| Mon histoire de la Cinema c. 1984 | p. 219 |
| (Dead)panning Through the Lower East Side with Jim Jarmusch | p. 221 |
| Pizza, Beer & Cinema | p. 233 |
| Short Film From Matthew Harrison | p. 235 |
| Films Charas | p. 237 |
| Sleazoid Express: Clayton Patterson Asks Us What it's Like Being Us | p. 241 |
| Live Video as Performance on New York City's Lower East Side in the 1980s | p. 249 |
| Rockets Redglare | p. 255 |
| "I'd Work in Mexican Car Wash for Her": Rockets Redglare in Love | p. 257 |
| Films & Video at Darinka: A Performance Studio 1984-1987 | p. 263 |
| The Cinema of Transgression: Where Are They Now? - A Recollection | p. 265 |
| Nick Zedd | p. 273 |
| Richard Kern | p. 275 |
| Why I Left the "Cinema of Transgression" Behind, or Why It Left Me | p. 277 |
| Media Mystics | p. 281 |
| Erotic Psyche | p. 283 |
| Film/Video in the LES/EV | p. 287 |
| An Overview: Film and Video in the LES/E-Village | p. 291 |
| Making A Movie: What About Me? | p. 293 |
| Shooting A Movie On The Lower East Side - 1986 | p. 295 |
| The Ballad of Wideo Wim: Jim C., Nada Gallery and the East Village Scene | p. 299 |
| Once in a Lifetime | p. 303 |
| Tom Jarmusch Profile | p. 309 |
| Naked Eye Cinema at ABC No Rio | p. 313 |
| Philly | p. 319 |
| M. Henry Jones & Snake Monkey Studio | p. 343 |
| Smile for the Camera: East Village Through the Lens | p. 349 |
| Baird's Fish Eye View and Reminisces of the L.E.S. Video | p. 351 |
| Just A Glimpse: The New York Film Festival Downtown | p. 353 |
| Tompkins Square Park: The Prabhupada Sankirtan Society | p. 355 |
| Copy of Original Yes No Script | p. 357 |
| Gary Goldberg | p. 359 |
| Gary Goldberg | p. 360 |
| Rik Little and the East Village Camcorder | p. 361 |
| Interview with Edward Braddock III, aka Red Ed, aka Carol Anne Braddock | p. 367 |
| Filming in the Wild, Wild, East: An Extended Interview of East Village Filmmaker Mary Bellis | p. 369 |
| Multiple Ejaculations: M.M. Serra on Sex and Cinema | p. 373 |
| Beyond Raw Nerve can Cheap Metaphors | p. 381 |
| Performing the Lower East Side: A Conversation With Steve Buscemi | p. 387 |
| The Monday-Wednesday-Friday Video Club | p. 397 |
| Holding a Torch to the Gargoyle Mechanique | p. 403 |
| Technoromanticism Grows in the Belly of the Gargoyle | p. 411 |
| Collective: Unconscious - Interviews with Jamie Mereness and Bryan Frye - Inju Kaboom, Kyle Lapidus, and Joe Pure | p. 415 |
| Mitch Corber, Documenter of the Unbearables | p. 421 |
| How I Became NY Poetry Video "Kingpin" | p. 423 |
| East Village Memories: Club 57 | p. 429 |
| This Revolution Must Be Televised! | p. 431 |
| Tompkins Square Park Police Riot Tape - and the Road to Victory | p. 435 |
| A Peek Inside the Archives | p. 447 |
| Marc Friedlander | p. 461 |
| The Eyes Have It | p. 463 |
| The Non-Narrative Life | p. 467 |
| The Pravda of the Matter | p. 471 |
| The Art and Video of Elsa Rensaa | p. 473 |
| Clayton and I | p. 479 |
| Clayton's Lower East Side Side Show | p. 484 |
| Whoremoans | p. 485 |
| Jim "Mosaic Man" Power and Video Work | p. 487 |
| The Movie of the Month Club 1991-1992 | p. 491 |
| Bill Morrison Filmmaker | p. 495 |
| Notes from an East Village Filmmaker | p. 497 |
| Robert Beck Memorial Cinema: Weekly Visit to the Supernal Realms | p. 499 |
| Bradley Eros and Brian Frye Interview | p. 501 |
| Why the Lower East Side? | p. 515 |
| Videos of Angel Orensanz | p. 517 |
| Angel Orensanz: Times and Spaces | p. 521 |
| Cool Actor Luis Guzman | p. 525 |
| NYC Smoke | p. 527 |
| When I Met Clayton | p. 531 |
| Thom Corn as East Village Video/Filmmaker... | p. 533 |
| Gentrifucked | p. 535 |
| Amy Greenfield | p. 537 |
| The Film, Video, and Animation History of Todo con Nada 1988-2000 | p. 539 |
| East Village Memories | p. 545 |
| 10 Questions for Phil Hartman | p. 547 |
| LES in Video | p. 549 |
| Third World Newsreel | p. 553 |
| The Search for the Invisible Cinema | p. 559 |
| Taylor Mead: Underground Legend | p. 565 |
| Table of Contents provided by Ingram. All Rights Reserved. |