Maintenant 13

A Journal of Contemporary Dada Writing and Art

By: Peter Carlaftes (Editor), Kat Georges (Editor), Fred Tomaselli (Designed by)

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Paperback | 18 July 2019

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If you think Artificial Intelligence will mark the end of humanity then think again. Look at the world around you. Where is the intelligence? Where? Lying is the norm. Incompetence is rampant. Information is soiled with whatever spin is footing the bill. The Kool-Aid is your mind. MAINTENANT 13: A Journal of Contemporary Dada Writing and Art concentrate on exposing the ignorance with this issue's theme "Artificial Ignorance." The issue features the work of leading contemporary thinkers and creators from around the world who utilize collage, juxtaposition, and absurdity as an artistic protest against the madness of the world today.
The MAINTENANT series, established in 2008, gathers the work of renowned and emerging dada artists and writers from around the world. The series has been archived in leading international institutions including the Museum of Contemporary Art-New York, the BelVUE Museum-Brussels, and more. Renowned contributors have included artists Mark Kostabi, Raymond Pettibon, Giovanni Fontana, Jean-Jacques Lebel, and Kazunori Murakami. Writers have included Allen Ginsberg, Gerard Malanga, Charles Plymell, Jerome Rothenberg, and more, with a strong contingent of punk musician-artist-writers including Alice Bag, Grant Hart, Mike Watt, and Exene Cervenka.

Industry Reviews

"A compilation of leading Dada-influenced artists from around the world. --TRIBE LA Magazine
"Excellent examples of collage and montage techniques . . . Interesting visual poems." --Portland Book Review
Contemporary art and writing ranging from collages and acrylics to new digital art motifs and using computers to create art . . . As always it brings an interesting perspective." --Manhattan Book Review
"Though people expect Dada to be silly, and sometimes it is here, it is also often political and usually poignant. . . It's quite a smorgasbord for those who are sick and tired of it." --Seattle Book Review

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