| Preface | p. ix |
| List of Maps and Illustrations | p. xv |
| Calendar of Historical Events Important to the Play | p. xvii |
| The Text of Antony and Cleopatra | p. 1 |
| Note On The Text | p. 116 |
| Sources, Analogues, and Contexts | p. 123 |
| Description of Egypt | p. 125 |
| Life of Antony | p. 126 |
| [Cleopatra and Dido] | p. 142 |
| The Legend of Good Women | p. 146 |
| The Tragedy of Antony | p. 147 |
| The Tragedy of Cleopatra | p. 153 |
| Salve Deus Rex Judaeorum | p. 156 |
| Early Modern Views Of Egyptians | p. 157 |
| From First Book of the Introduction of Knowledge | p. 158 |
| From A Brief Description of the Whole World | p. 158 |
| From The Geographical History of Africa | p. 158 |
| From Relation of a Journey Begun An. Dom. 1610 | p. 159 |
| Early Modern Views Of Gypsies | p. 159 |
| An Act against Certain Persons Calling Themselves Egyptians | p. 160 |
| From The Interpreter | p. 160 |
| From The Art of Jugling or Legerdemaine | p. 161 |
| Early Modern Writings On Women | p. 161 |
| From The First Blast of the Trumpet against the Monstrous Regiment of Women | p. 162 |
| From The Anatomie of Abuses | p. 162 |
| From Hic mulier: or, The man-woman | p. 163 |
| Criticism | p. 165 |
| [The Busy Play] | p. 167 |
| [A Fiery Force] | p. 167 |
| [The Noble Play] | p. 168 |
| [The Real Cleopatra] | p. 169 |
| [The Dark Woman] | p. 171 |
| [Gipsy Queen] | p. 172 |
| [The Play Itself] | p. 172 |
| Shakespeare's Antony and Cleopatra | p. 173 |
| Tradition as Source in Antony and Cleopatra | p. 180 |
| Antony and Cleopatra (c. 1607): Virtus under Erasure | p. 193 |
| "Narcissus in thy face": Roman Desire and the Difference It Fakes in Antony and Cleopatra | p. 203 |
| [The "Other" Woman: Beauty, Women Writers, and Cleopatra] | p. 219 |
| Squeaking Cleopatras: Gender and Performance in Antony and Cleopatra | p. 227 |
| Shadowing Cleopatra | p. 248 |
| The Imperial Romance of Antony and Cleopatra | p. 261 |
| "Best Play with Mardian": Eunuch and Blackamoor as Imperial Culturegram | p. 280 |
| Barbers, Infidels, and Renegades: Antony and Cleopatra | p. 289 |
| Adaptations, Rewritings, and Appropriations | p. 317 |
| All for Love; or, The World Well Lost (1677) | p. 319 |
| Antony and Cleopatra (1858) | p. 330 |
| Cleopatra (1866) | p. 332 |
| Antony & Cleopatra; or, His-tory and Her-story in a Modern Nilo-metre (1866) | p. 336 |
| Caesar and Cleopatra (1901) | p. 340 |
| Antony and Cleopatra (1911) | p. 342 |
| After Reading "Antony and Cleopatra" (1918) | p. 350 |
| The Death of Cleopatra (1927) | p. 350 |
| Cleopatra to the Asp (1970) | p. 354 |
| Cleopatra Topless (1973) | p. 355 |
| Portrait of a Nude Woman as Cleopatra (1987) | p. 355 |
| Antony and Cleopatra (2007) | p. 358 |
| Laxmi as Cleopatra (2010) | p. 360 |
| Selected Bibliography | p. 361 |
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