| Preface | p. xi |
| Introduction: A Jewish American or an American Jew? | p. 1 |
| A Grab Bag of My Life With LB | |
| New York, New York | p. 19 |
| Remembering LB | p. 19 |
| Home and Office | p. 32 |
| Overheard | p. 49 |
| Not That There's Anything Wrong with That | p. 51 |
| On the Road | p. 59 |
| Travel Adventures | p. 59 |
| Bette Davis Sat on My Lap | p. 64 |
| On Tour | p. 74 |
| In High Places | p. 95 |
| In the Workroom | p. 99 |
| The Art of Recycling | p. 99 |
| Lenny and Aaron | p. 104 |
| Late-Night Thoughts | p. 107 |
| Four Wedding Gifts | p. 114 |
| Tsuris in Honduras | p. 115 |
| Keeping Faith | p. 121 |
| "Kaddish" Glories and Tribulations | p. 121 |
| Jennie Tourel | p. 129 |
| A Jewish Mass or a Catholic Mitzvah? | p. 133 |
| Three Meditations from Mass for Violoncello and Orchestra | p. 138 |
| The Little Motive That Could | p. 140 |
| In Concert | p. 144 |
| Tone Rows | p. 144 |
| Original-itis: Carl Nielsen and Glenn Gould | p. 147 |
| Turning Pages | p. 151 |
| Spinning Platters | p. 154 |
| The LB Discography | p. 154 |
| Beethoven: String Quartet, Op. 131 | p. 162 |
| José as Tony? | p. 164 |
| Teaching and Television | p. 167 |
| Candide Goes to College | p. 167 |
| Mary V. Ahern | p. 171 |
| How Mimi Got On the Waterfront | p. 173 |
| Young People's Concerts | p. 175 |
| Postlude | p. 179 |
| Jack in the Back Photo Gallery | p. 184 |
| My Notes on Lb's Notes | |
| Chamber Music | p. 191 |
| Arias and Barcarolles | p. 191 |
| Dance Suite | p. 194 |
| Touches | p. 196 |
| Choral Works | p. 198 |
| A Choral Quilt | p. 198 |
| The Lark and Missa Brevis | p. 199 |
| A White House Cantata: Scenes from 1600 Pennsylvania Avenue | p. 205 |
| Dance and Theater Works | p. 211 |
| On the Town and Fancy Free | p. 211 |
| Facsimile | p. 217 |
| Symphonic Dances from "West Side Story" | p. 218 |
| West Side Story Fact Sheet | p. 221 |
| Jewish Works | p. 229 |
| Chichester Psalms | p. 229 |
| Concerto for Orchestra (Jubilee Games) | p. 236 |
| Dybbuk | p. 241 |
| Hashkiveinu | p. 246 |
| Symphony No. 1, "Jeremiah" | p. 252 |
| Symphony No. 3, "Kaddish" | p. 256 |
| Leonard Bernstein: A Jewish Legacy | p. 267 |
| Commentaries | p. 276 |
| Symphony No. 2, "The Age of Anxiety" | p. 276 |
| The Chain-Reaction Principle: A New Approach to Tonality? | p. 282 |
| Overtures and Entertainments | p. 285 |
| A Musical Toast | p. 285 |
| Divertimento for Orchestra | p. 286 |
| Overture to Candide | p. 288 |
| Prelude, Fugue and Riffs | p. 290 |
| Slava! A Political Overture | p. 292 |
| Songs | p. 294 |
| "Captain Hook's Soliloquy" | p. 294 |
| Song Album | p. 295 |
| Songfest | p. 299 |
| Essays for Young People's Concerts | p. 305 |
| Bernstein: A Brief Overview | p. 327 |
| Acknowledgments | p. 335 |
| Notes | p. 337 |
| Selected Bibliography | p. 343 |
| Photograph Credits | p. 345 |
| Index | p. 347 |
| Table of Contents provided by Ingram. All Rights Reserved. |