Women Photographers and Mexican Modernity

Part I Gendering the Gaze: Frame, Context, Collaboration 1 In and Around Photographic Portraits (or Portraiture?) 2 The Margins and Potential Horizons of Mexicoâs Postrevolutionary Modernity in Four Photographs by Tina Modotti, Kati Horna, Mariana Yampolsky, and Elsa Medina Part II Counter-Perspectives: Ideologies, Subjectivity, and Corporeality 3 Earth Images: Tina Modotti and Agrarian Radicalism in Mexico 4 Fundamental Considerations for Mariana Yampolskyâs Photography 5 Gaze as Mirror/Encountering the Other: On the Photographic Communication of Graciela Iturbide 6 Unsettling Hyper-Heteronormative Masculinity: Lourdes Grobetâs Family Portraits Part III Re-Presenting Gender and Race 7 Solidarity and Witnessing in the Photographs of Marta Zarak 8 A Record of Things Seen: The Photographs of Frida Hartz in Irma Pinedaâs Guieâni Zebe/La flor que se llev³ 9 Seeing and Feeling the 1990s: Phototextual Explorations by Maruch S¡ntiz G³mez and Xunkaâ L³pez D­az 10 The Untold Story of Black Mexico: Uncovering the Identity of the Afro-Descendant Woman in the Photography of Koral Carballo and Mara S¡nchez Renero