White Wolf

The Elric Saga Part 3

By: Michael Moorcock

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Hardcover | 25 October 2022

At a Glance

Hardcover
944 Pages

Dimensions(cm)
23 x 16.5 x 6

Hardcover

$68.75

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From World Fantasy Lifetime Achievement Award&;winner Michael Moorcock comes the final installment of the Elric of Melnibone series, brought to vivid new life with stunning illustrations.

In one of the most well-known and well-loved fantasy epics of the 20th century, Elric is the brooding, albino emperor of the dying Kingdom of Melnibone. After coming into an unnatural, devastating power that felled his enemy Yrkoon and destroyed an entire city, Elric is haunted by the many deaths he caused and sets out on a quest for redemption and renewed purpose.

The White Wolf is the final volume in Michael Moorcock&;s incredible series, which created fantasy archetypes that have echoed through the genre for generations. Originally published in the 1970s, this book is brought to vivid new life with stunning illustrations from magnificent artists in the fantasy field.

Industry Reviews

"[Moorcock] can gleefully give you all the formulae of every kind of story there ever was, because he's tried and tested all of them ... the master story-teller of our time."--Angela Carter author of The Bloody Chamber, and Nights at the Circus
"[Moorcock] is the greatest writer of post-Tolkien British Fantasy."--Michael Chabon, Pulitzer Prize winning author of The Amazing Adventures of Kavalaier & Clay, and Telegraph Avenue
"Moorcock as the most important successor to Mervyn Peake and Wyndham Lewis... The vast, tragic symbols by which Moorcock continually illuminates the metaphysical quest of his hero are a measure of the author's remarkable talents"--J.G.Ballard, author of Empire of the Sun, Crash, and The Drowned World
"Moorcock's influence is nothing like Tolkien's, at least on the surface, but his vision of a speculative-fiction genre that can be psychologically complex is evident in how very sophisticated some of it has become--from "True Detective" to Jeff VanderMeer, from David Mitchell to "Under the Skin."--The New Yorker

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