Visualizing War

Preface (W.J.T Mitchell)

Introduction (Anders Engberg-Pedersen and Kathrin Maurer)

Part I: Equivocal Emotions

1. Cropped Vision: Photography and Complicity in Womenâs World War II Memoirs (Elisabeth Krimmer)

2. Horsemeat with Cucumber Salad: Laughing at the Images of War in Alexander Klugeâs Films (Andrea Sch¼tte)

3. Max Beckmannâs Revenants and Ernst J¼ngerâs Drones: Vision and Coolness in the Interwar Period (Christine Kanz)

Part II: Emotional Technologies

4. Flat Emotions: Maps and Wargames as Emotional Technologies (Anders Engberg-Pedersen)

5. The Paradox of Total Immersion: Watching War in Nineteenth-Century Panoramas (Kathrin Maurer)

6. Post-Traumatic Stress Disorder in Drone Operators: Relying on Uncertainty in Omer Fastâs 5,000 Feet is the Best (2011) (Svea Braeunert)

7. Towards a Poor Cinema: The Performativity of Mobile Cameras in New Image Wars (Katarzyna Ruchel-Stockmans)

Part III: Building Emotional Communities

8. Visualizing Community: A Look at World War II Propaganda Films (Hermann Kappelhoff)

9. From Warrior Heroes to Vulnerable Boys: Debunking "Soldierly Masculinity" in Tim Hetheringtonâs Infidel Photos (Thomas rvold Bjerre)

10. Visualizing War in the Museum: Experiential Spaces, Emotions, and Memory Politics (Stephan Jaeger)

11. War in the Age of Anti-Social Media (Jan Mieszkowski)