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Violence : A Micro-sociological Theory - Randall Collins

Violence

A Micro-sociological Theory

By: Randall Collins

Paperback | 2 November 2009

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In the popular misconception fostered by blockbuster action movies and best-selling thrillers--not to mention conventional explanations by social scientists--violence is easy under certain conditions, like poverty, racial or ideological hatreds, or family pathologies. Randall Collins challenges this view in Violence, arguing that violent confrontation goes against human physiological hardwiring. It is the exception, not the rule--regardless of the underlying conditions or motivations.


Collins gives a comprehensive explanation of violence and its dynamics, drawing upon video footage, cutting-edge forensics, and ethnography to examine violent situations up close as they actually happen--and his conclusions will surprise you. Violence comes neither easily nor automatically. Antagonists are by nature tense and fearful, and their confrontational anxieties put up a powerful emotional barrier against violence. Collins guides readers into the very real and disturbing worlds of human discord--from domestic abuse and schoolyard bullying to muggings, violent sports, and armed conflicts. He reveals how the fog of war pervades all violent encounters, limiting people mostly to bluster and bluff, and making violence, when it does occur, largely incompetent, often injuring someone other than its intended target. Collins shows how violence can be triggered only when pathways around this emotional barrier are presented. He explains why violence typically comes in the form of atrocities against the weak, ritualized exhibitions before audiences, or clandestine acts of terrorism and murder--and why a small number of individuals are competent at violence.



Violence overturns standard views about the root causes of violence and offers solutions for confronting it in the future.

Industry Reviews
Winner of the 2011 Distinguished Scholarly Publication Award, American Sociological Association "Collins's Violence is a sourcebook for the oft-ignored and usually unseen obvious: We humans are bad at violence, even if civilization makes us a bit better at it."--David D. Laitin, Science "Violence is a rare academic work, with both a convincing reappraisal of its scholarly terrain, and enough accessibility and useful advice to attract laymen. The writing is clear and direct--sometimes with a welcome touch of the colloquial--and well illustrated with photographs and charts."--Graeme Wood, New York Sun "Offering a wealth of observations...Randall Collins's overall theory is neat: violence is not easy, hence relatively rare. It is a compelling argument."--Jane Kilby, Times Higher Education "Insofar as his analysis has sought to highlight its micro-situational aspects, he must be applauded. In the future, only interdisciplinary research will be able to approach this topic with the same vigor, and coherence as Collins has provided us in this book."--Paul Armstrong, Canadian Journal of Sociology "The book is a superb commentary on how the emotional energy created by the situation of forward panic produces violence... Collin's exhaustive treatment of the forward panic is a major contribution to the literature and the term is certain to become a standard part of our vocabulary on violence."--John M. Hagedorn, Anthropos "Professor Collins has initiated a much needed discussion of violence, unencumbered by myth and make-believe... After reading this excellent and highly readable volume, there are few myths left remain standing!"--P. A. J. Waddington, Policing "[T]he book is a notable attempt to develop a general sociological theory of interpersonal violence, and anyone interested in violence and peace can learn a great deal from it."--Kristian Skrede Gleditsch, Journal of Peace Research "[A] deeply learned, thoughtful, and erudite book... [T]he complexity of thought and the clarity of exposition of this first volume leave the reader both fulfilled and eager. Like the greatest of classical sociological thinkers, Collins is both pointillist and abstract expressionist, synthesizing micro and macro, and always asserting the power of the social."--Michael Kimmel, American Journal of Sociology

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