Vaudeville Melodies

"Essential reading not only for its exploration of practice, but also for its focus on how this business was shaped and changed by the circuits, the stress on respectable family entertainment, its star system, and the continuous show that was vaudeville. . .[Vaudeville Melodies], although an indisputably academic work, will have appeal beyond the specialist historian."-- "International Association for the Study of Popular Music Journal"
"Gebhardt's Vaudeville Melodies explores how late-nineteenth century American political economy--a combination of progressive ideology and corporate-administrative capitalism--forged a space for the invention of show business and the idea of the modern entertainer. Moving between the stage and the corporate office, Gebhardt's theoretically sophisticated study is a powerful argument for a dynamic, relational understanding of popular culture. Neither a top-down nor a bottom-up phenomenon, vaudeville emerged from the interplay of performers, managers, and audiences. Deftly weaving together diverse sources--performer biographies, popular press accounts, film, and music--Gebhardt provides a new and more holistic account of the creation and development of this prototypically modern American entertainment. VaudevilleMelodies will be an essential resource for scholars of vaudeville, popular music, and popular culture generally. More than just a renewal of the scholarship on vaudeville, Vaudeville Melodies offers a brilliant analysis of the very idea of entertainment in modern American mass culture, an analysis as applicable to the early-twenty-first century as it is to the early-twentieth century."--Andrew Berish "author of Lonesome Roads and Streets of Dreams: Place, Mobility & Race in Jazz of the 1930s and '40s"