The time, 1959 America. The place-a small, entirely corrupt Midwestern burg named Locke City, currently owned top to bottom by homegrown Royal Beaumont. Crippled by a childhood disease, Royal rules from a wheelchair-throne; few, though, have ever doubted that his power is absolute. Or not until now, when rival mobs-one Irish, one Italian-suddenly sense windows of opportunity. They lurk at Locke City's perimeter and sniff around Royal's honey-pots-prostitution, gambling, protection-in a way calculated to cause maximum anxiety. In response, Royal sends for outside help in the form of Walker Dett, a man with the sort of "stillness" to him. Dett is a killer, a hired gun with the war smarts of a Clausewitz. There's plot and counterplot as hard guys maneuver for position and form unlikely alliances. Dett, however, is always in charge, a dodge ahead of his enemies. He schemes, lures and, when at last he pounces, few are left standing. But Dett has a softer side and it catches him unaware. One night, the Angel of Death meets an Earth Angel and, to his astonishment, he falls in love. Life altering for Dett; for thereader unexpectedly moving. A bit of a slow coach in the middle, but it recovers well.
Industry Reviews
"Gripping. . . . It begins in the clipped, tough-guy manner of Dashiell Hammett . . . but by the end it enters a strange . . . twilight zone all its own." --The Wall Street Journal"Ambitious, expansive. . . . Walker Dett [is] a superb creation." --Entertainment Weekly"A sprawling epic. . . . A raw portrait of a volatile era." --Philadelphia City Paper"If you're craving a midsummer mystery . . . Andrew Vachss has something special for you�a dark, violent and even weird tale. . . . The plot . . . zips ahead with the speed of one of those dangerously overpowered late-1950s Oldsmobile 88s. . . . The bits and pieces cut back and forth among the characters, like a fast-paced movie." --St. Louis Post-Dispatch