Tristan and Isolde

Preface, Norris J. Lacy
Introduction, Joan Tasker Grimbert
Acknowledgements
Select Bibliography
Tristan: The Celtic and Oriental Material Re-examined, W.J. McCann
Love and the New Patriarchy: Tristan and Isolde, Leslie W. Rabine
How Lovers Lie Together: Infidelity and Fictive Discourse in the Roman de Tristan, E. Jane Burns
The Representation of the Lover's Death: Thomas' Tristan as Open Text, Matilda Tomaryn Bruckner
The Glass Palace in the Folie d'Oxford, Jean-Charles Payen
Tristan the Artist in Gottfried's Poem, W.T.H. Jackson
Gottfried von Strassburg: Tristan and the Arthurian Tradition. William C. McDonald
La Parole amoureuse:Amorous Discourse in the Prose Tristan, Emmanu©le Baumgartner
Radix Amoris: The Travola Ritonda and Its Response to Dante's Paolo and Francesca, Donald L. Hoffman
Malory's Tale of Sir Tristram: Source and Setting Reconsidered, Dhira B. Mahoney
Tristan in Medieval Art, Julia Walworth
Swinburne's Tristram ofLyonesse: Visionary and Courtly Epic, Anthony H. Harrison
That Most Beautiful of Dreams: Tristram and Isoud in British Art of the Nineteenth and Twentieth Centuries, Christine Poulson
Wagner's Tristan and Isolde: Opera as Symphonic Poem, Joseph Kerman
Wagner and Decadence, Raymond Furness
This Too You Ought to Read: B©dier's Roman de Tristan et Iseut, Edward J. Gallagher
Tristram the Transcendent, Frederic Yves Carpenter
Cocteau's Tristan and Iseut: A Case of Overmuch Respect, Stephen Maddux
Tristan and Isolde in Modern Literature: L'©ternal retour, Michael S. Batts