Translating Rimbaud's Illuminations

Translating Rimbaud's Illuminations is a critique of the assumptions which currently underlie our thinking on literary translation. It offers an alternative vision; extending the parameters of literary translation by showing that such translation is itself a form of experimental creative writing. It also provides a reassessment of Rimbaud's creative impulses and specifically his prose poems, the Illuminations. In the expanding field of translation studies, a brilliant and demanding book such as this has a valuable place. In addition, it also provides some fascinating 'hands on' translation work of a very practical kind. Published as a sequel to the author's Translating Baudelaire (UEP, 2000), it will become part of the canon. Contents: Introduction Translation and Creativity: Reflections on a Relationship The Rimbaldian Prose Poem: Questions of Time and Rhythm The Voice in Translation I: Translating Subdiscursive Sound The Voice in Translation II: Moving Images Silence as Translational Presence: The Translator and Resonant Space From Silence and Time to Noise and Space The Translator as Colonist and Native Rimbaud's City Spaces: Translating the Geometries of Social Architecture Translating the Space of Reading Appendix One: Wordsworth's 'The Daffodils' and Francois-Rene Daillie's translation Appendix Two: Plain prose translations of selected Illuminations Appendix Three: Pictorial translations of selected Illuminations Bibliographical references Index Clive Scott is Professor of European Literature at the University of East Anglia, and a Fellow of the British Academy. His publications over the last few years include Translating Baudelaire (University of Exeter Press, 2000); Channel Crossings: French and English Poetry in Dialogue 1550-2000 (Legenda, 2002); The Spoken Image: Photography and Language (Reaktion, 1999); The Poetics of French Verse: Studies in Reading (Clarendon, 1998).