Preface
Acknowledgements
Permissions
Editorâs Note
Introduction: Reflecting on the Screen
Section One: Screens and Their Histories
Introduction to Section One
1.1 Screen Identities
Charles R. Acland (Concordia University, Canada), âThe Crack in the Electric Windowâ
Francesco Casetti (Yale University, USA), âWhat Is a Screen Nowadays?â
Sean Cubitt (Goldsmiths, University of London, UK), âCurrent Screensâ
Anne Friedberg (University of Southern California, USA), âThe Multipleâ
William Henry Fox Talbot (Inventor of the calotype process, UK), âThe Magic Mirrorâ
1.2 Evolution and Revolution
Plato, from The Republic
Erkki Huhtamo (UCLA, USA), âScreenology; or, Media Archaeology of the Screenâ
Lev Manovich (CUNY, USA), âA Screenâs Genealogyâ
Edmond Couchot (Digital Artist and Art Theoretician, France), âThe Ordered Mosaic, or The Screen Overtaken by Computationâ
Uta Caspary (Art Historian/Architecture Critic, Germany), âDigital Media as Ornament in Contemporary Architecture Facades: Its Historical Dimensionâ
Section Two: Images and Frames
Introduction to Section Two
2.1 The Production of Images
Louis-Jacques-Mand© Daguerre (âFather of Photographyâ, France), âDescription of the Process of Painting and Lighting in...Pictures of the Dioramaâ
Lara Baladi (MIT, USA), âWhen Seeing is Belonging: The Photography of Tahrirâ
Ron Burnett (Emily Carr University of Art + Design, Canada), âBuilding New Worldsâ
Brad Chisholm (St. Cloud University, USA), âOn-Screen Screensâ
Sarah Atkinson (King's College London, UK), âMobile Cinemaâ
Marcel Proust, from Swannâs Way
2.2 Terms of Display
Giambattista della Porta, from Natural Magick: in XX Bookes
Frederick Kiesler (Architect, Ukraine), Building a Cinema Theatre
Jean-Louis Baudry, âIdeological Effects of the Basic Cinematographic Apparatusâ
Harper Cossar (Emory College, USA), âThe Shape of New Media: Screen Space, Aspect Ratios, and Digitextualityâ
Stephen Monteiro (The American University in Paris, France), âFit to Frame: Image and Edge in Contemporary Interfacesâ
Mitchell Whitelaw (University of Canberra, Australia), âAfter the Screen: Array Aesthetics and Transmaterialityâ
Section Three: Environments and Interactions
Introduction to Section Three
3.1 Moments of Interface
O. Winter, âThe Cinematographâ
Paul Frosh (The Hebrew University of Jerusalem, Israel), âThe Face of Televisionâ
Douglas Engelbart, from Augmenting Human Intellect: A Conceptual Framework
Heidi Rae Cooley (University of South Carolina, USA), âIt's all about the Fit: The Hand, the Mobile Screenic Device and Tactile Visionâ
Alexandra Schneider (Johannes Gutenberg-Universit¤t Mainz, Germany), âThe iPhone as an Object of Knowledgeâ
Virginie Sonet (Universit© Paris II - Panth©on-Assas, France), âThe Smartphone Screen in All Its Statesâ
Amy Herzog (Queens College, CUNY, USA), âIn the Flesh: Space and Embodiment in the Pornographic Peep Show Arcadeâ
3.2 Systems and Networks
Haidee Wasson (Concordia University, Canada), âThe Other Small Screen: Moving Images at New Yorkâs World Fair, 1939â
Anna McCarthy (New York University, USA), âFrom Screen to Site: Televisionâs Material Culture, and Its Placeâ
Onookome Okome (University of Alberta, Canada), âNollywood: Spectatorship, Audience and the Sites of Consumptionâ
Stan VanDerBeek (Experimental Filmmaker, USA), ââCulture: Intercomâ and Expanded Cinema: A Proposal and Manifestoâ
Robert Edgar, âThe Aesthetics of the Arena: Live and Recordedâ
Nanna Verhoeff (Utrecht University, The Netherlands), âPerformative Cartographyâ
Further Reading
List of Contributors
Index