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The Path to Paradise : Judith Schaechter's Stained-Glass Art - Diane C. Wright

The Path to Paradise

Judith Schaechter's Stained-Glass Art

By: Diane C. Wright, Virginia Chieffo Raguin, Jessica Marten, Glenn Adamson

Paperback | 1 October 2020

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From her start in the 1980s, Judith Schaechter (b. 1961) has stretched the medium of stained glass into an incisive art form for the twenty-first century, boldly paving her path in the diverse arena of contemporary art. With deep respect for history, a provocative rebelliousness, and a feminist sensibility, Schaechter has aptly been called a "post-punk stained-glass sorceress." This catalog accompanies The Path to Paradise: Judith Schaechter's Stained-Glass Art, the first survey and major scholarly assessment of this groundbreaking artist's 37-year career. This catalog explores the range of critical registers Schaechter's work spans, illuminating and contextualizing the artist's unique contributions to the contemporary canon.

Published in association with the Memorfuial Art Gallery, Rochester NY

GLENN ADAMSON is a curator, writer, and historian who works at the intersection of craft and contemporary art, and currently Senior Scholar at the Yale Center for British Art.
JESSICA MARTEN is Curator in Charge/Curator of American Art at the Memorial Art Gallery of the University of Rochester. In her curatorial practice, Marten is particularly interested in exploring historically marginalized artists and lesser-known histories.
VIRGINIA CHIEFFO RAGUIN is Distinguished Professor of Humanities at the College of the Holy Cross. She has published widely on religion, stained glass, and architecture.
DIANE C. WRIGHT is the Senior Curator of Glass and Decorative Arts at the Toledo Museum of Art, where she explores the infinite world of glass within the context of Toledo's encyclopedic art collection.
Industry Reviews
The chapters [...] are all interesting and insightful, and a delight to read. [...] the forty-five works in this publication display a huge talent and a vision at once exquisite and deeply, viscerally unnerving from which we cannot look away. -- Julie L. Sloan * The Journal of Stained Glass *

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