Claus and Lucas are twins. Their new life begins when they are left with their grandmother, the 'Witch', in a village in an occupied country. It's wartime. Their angelic looks are deceiving. They are implacable, dangerously ethical; what motivates them is a deeply embedded morality of absolute need.
The trilogy-The Notebook, The Proof and The Third Lie-follows their stories from the Second World War, through the years of communism and into a fractured Europe. In what could be seen as an allegory of post-war Europe, the twins become separated and are isolated in different countries. They yearn to be connected again, but perspectives shift, memories diverge, identity becomes unstable...
Written in Kristof 's spare, direct style, The Notebook Trilogy is an exploration of the aftereffects of trauma, particularly on children, and of the nature of storytelling. In the tradition of J.M. Coetzee or Herta Muller, these novels explore truth and lies, shaped by a breathtaking artistic vision that is shocking, fascinating and utterly memorable.
Praise for The Notebook Trilogy-
'An almost lyrical intensity...A fierce and disturbing novel.' New York Times
'A haunting, harrowing tale that lingers in the imagination long after you've turned the last page.' Washington Post
'I found it profoundly disturbing, incredibly well-written, and extraordinarily brave. And the fact that it was written by a woman-it has a startling brutality and ferocity about the style that I find very inspiring.' Eimear McBride, The Believer
'At the heart of this acrid trilogy, in all its studied understatement and lack of portentousness, we can feel the author's slow-burning rage at the wholesale erasure of certainty and continuity in the world of her childhood and adolescence. At the same time we sense Kristof saturninely enjoying this annihilation for its imaginative potential. She will reassemble a shattered world on her own rigorous terms, and watch us wince and shudder in the process.' Times Literary Supplement
'In prose stripped to a bare yet powerful structure, this intense parable reveals the triumph of literature in a politically repressive state.' Booklist
'The Notebook is a transfixing house of horrors.' New Statesman
'A dark study of the human psyche.' New York Times Book Review
'Closing this chillingly unsentimental novel, I felt that it had contrived to say absolutely everything about the Second World War and its aftermath in Central Europe.' Sunday Times
Industry Reviews
`An almost lyrical intensity...A fierce and disturbing novel.' * New York Times *
'A haunting, harrowing tale that lingers in the imagination long after you've turned the last page.' * Washington Post *
`I found it profoundly disturbing, incredibly well-written, and extraordinarily brave. And the fact that it was written by a woman-it has a startling brutality and ferocity about the style that I find very inspiring.' * Eimear McBride, The Believer *
`At the heart of this acrid trilogy, in all its studied understatement and lack of portentousness, we can feel the author's slow-burning rage at the wholesale erasure of certainty and continuity in the world of her childhood and adolescence. At the same time we sense Kristof saturninely enjoying this annihilation for its imaginative potential. She will reassemble a shattered world on her own rigorous terms, and watch us wince and shudder in the process.' * Times Literary Supplement *
`In prose stripped to a bare yet powerful structure, this intense parable reveals the triumph of literature in a politically repressive state.' * Booklist *
`The Notebook is a transfixing house of horrors.' * New Statesman *
`A dark study of the human psyche.' * New York Times Book Review *
`Closing this chillingly unsentimental novel, I felt that it had contrived to say absolutely everything about the Second World War and its aftermath in Central Europe.' * Sunday Times *
`A powerful reminder of the continuing consequences of war and the accommodations every human being makes to survive it, especially within their own psychology.' * Stuff NZ *
'These novellas are written with great restraint and horrors are noted in understated prose without dwelling on gruesome details. Kristof's trilogy suggests the supposed rage that people must feel when the authorised narrative doesn't mesh with the lived reality.' * ANZ LitLovers *
'Wildly original in content and tone...The style is simple, almost a series of pronouncements, and the content is uncomfortable and unforgettable.' * Adelaide Advertiser *
`An extraordinarily powerful work: taut, disciplined, laconic and profoundly unsettling...In The Notebook Trilogy Kristof achieved notable originality. The novel resembles almost nothing, at least in the kind of fiction familiar to English-language readers.' * Age *
`So brilliant and brutal, and each subsequent book makes you go a bit crazy as you try to nut out how the new perspective fits with, or transforms, what you've already read about the events.' * Lifted Brow, Favourite Books of 2017 *
