**THE THRILLING SUNDAY TIMES BESTSELLER**
'If only all history mysteries could be as good as
The Midnight Hour'
The TimesAn old man lies dead and it looks like poison, but his wife isn't the only one who had reason to kill him. Brighton, 1965When theatrical impresario Bert Billington is found dead in his retirement home, no one suspects foul play. But when the postmortem reveals that he was poisoned, suspicion falls on his wife, eccentric ex-Music Hall star Verity Malone.
Frustrated by the police response to Bert's death and determined to prove her innocence, Verity calls in private detective duo Emma Holmes and Sam Collins. This is their first real case, but as luck would have it they have a friend on the inside: Max Mephisto is filming a remake of Dracula, starring Seth Billington, Bert's son. But when they question Max, they feel he isn't telling them the whole story.
Emma and Sam must vie with the police to untangle the case and bring the killer to justice. They're sure the answers must lie in Bert's dark past and in the glamorous, occasionally deadly, days of Music Hall. But the closer they get to the truth, the more danger they find themselves in...
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PRAISE FOR THE MIDNIGHT HOUR 'An intricately plotted whodunnit' Daily Mail 'Griffiths writes with verve and wit' Irish Times'An entertaining period murder mystery' Irish Independent'Layered with a gripping plot' Belfast TelegraphA
Sunday Times bestseller w/c 24/04/2022
Industry Reviews
Beneath the smooth, swan-like progression of Elly Griffith's sentences there is a lot going on.
She is utterly in control of her material, and the machinations of the plot are never allowed to swamp character development, sense of place or the creation of atmosphere.
She is a witty writer: the sturdy legs of a toddler on a swing, for example, are said to be "kicking the sky."
If only all history mysteries could be as good as The Midnight Hour. - The Times
Elly Griffiths' series set in post-war Brighton are
entertaining diversions
full of period detail, smart plotting and likeable characters - Mail on Sunday
Wry, emotionally
intelligent and quietly
satisfying - Sunday Times on Now You See Them
Mixes cosiness and sharpness in a way that
recalls the best of Agatha Christie - Sunday Express on Smoke and Mirrors
A piquant
mixture of humour and period detail ... and truly
beguiling characterisation - Financial Times on The Vanishing Box