| Foreword | |
| Preface | |
| Introduction: Why I Am an Intellectual | |
| Dysonography | |
| Not from Some Zeus's Head: My Intellectual Development | p. 3 |
| Letter to My Brother, Everett, in Prison | p. 19 |
| This I Believe | p. 32 |
| Theories of Race | |
| The Liberal Theory of Race | p. 37 |
| When You're a Credit to Your Race, the Bill Will Come Due: O. J. Simpson and Our Trial by Fire | p. 46 |
| Affirmative Action | |
| Debating Affirmative Action | p. 69 |
| A Reprieve for Affirmative Action | p. 86 |
| Multiculturalism | |
| Leonard Jeffries and the Struggle for the Black Mind | p. 91 |
| Shakespeare and Smokey Robinson: Revisiting the Culture Wars | p. 96 |
| Whiteness Studies | |
| The Labor of Whiteness, the Whiteness of Labor, and the Perils of Whitewishing | p. 107 |
| Giving Whiteness a Black Eye | p. 113 |
| Gender Views | |
| The Plight of Black Men | p. 137 |
| Another Saturday Night, or Have All the Brothers Gone to White Women? | p. 147 |
| In O. J.'s Shadow: Kobe Bryant's Predicament | p. 167 |
| Afro-Baptist Radicalism and Rhetoric | |
| "God Almighty Has Spoken from Washington D.C.": American Society and Christian Faith | p. 173 |
| Gardner Taylor: The Poet Laureate of the American Pulpit | p. 192 |
| "Somewhere I Read of the Freedom of Speech": Constructing a Unique Voice | p. 202 |
| Religion and Sexuality | |
| When You Divide Body and Soul, Problems Multiply: The Black Church and Sexuality | p. 219 |
| Homotextualities: The Bible, Sexual Ethics, and the Theology of Homoeroticism | p. 238 |
| Biocriticism and Black Icons | |
| X Marks the Plots: A Critical Reading of Malcolm's Readers | p. 261 |
| Mixed Blessings: Martin Luther King, Jr., and the Lessons of an Ambiguous Heroism | p. 287 |
| "Give Me a Paper and Pen": Tupac's Place in Hip-Hop | p. 306 |
| Cinema Noir | |
| Spike Lee's Neonationalist Vision | p. 327 |
| Between Apocalypse and Redemption: John Singleton's Boyz N the Hood | p. 334 |
| Ghettocentricity and the New Black Cinema | p. 349 |
| The Soul Musics of Black Folk | |
| The Promise and Perils of Contemporary Gospel Music | p. 363 |
| Mariah Carey and "Authentic" Black Music | p. 367 |
| Aretha Franklin, Vanessa Bell Armstrong, and Me | p. 370 |
| The Great Next: Jazz Origins and the Anatomy of Improvisation | p. 376 |
| Hip-Hop Culture | |
| The Culture of Hip-Hop | p. 401 |
| Gangsta Rap and American Culture | p. 411 |
| We Never Were What We Used to Be: Black Youth, Pop Culture, and the Politics of Nostalgia | p. 418 |
| The Predicament of Postmodernity | |
| Michael Jackson's Postmodern Spirituality | p. 443 |
| Be Like Mike? Michael Jordan and the Pedagogy of Desire | p. 461 |
| Is Postmodernism Just Modernism in Drag? | p. 469 |
| Coda: The Life of the Mind | |
| It's Not What You Know, It's How You Show It: Black Public Intellectuals | p. 493 |
| Notes | p. 511 |
| Credits | p. 533 |
| Index | p. 535 |
| Table of Contents provided by Blackwell. All Rights Reserved. |