| Old Jokes Appreciate | p. 3 |
| Drunk and Disorderly, Big Hair | p. 4 |
| Origin | p. 6 |
| What Would You Like to Be When You Grow Up? | p. 8 |
| Now Then | p. 11 |
| Decorum, Reflection | p. 12 |
| Ghosts of Narrative | p. 13 |
| Metaphysics | p. 16 |
| Quick It Can | p. 18 |
| Rods and Cones, and The Statute of Limitations | p. 20 |
| What Changes | p. 22 |
| End of October | p. 25 |
| Entranced | p. 27 |
| Real Estate: Kripplebush, New York | p. 29 |
| Crude Cabin, At the Brink of Quiet | p. 30 |
| Out of Water | p. 32 |
| Pathetic Fallacies Are Bad Science But | p. 33 |
| Antepenultimate | p. 35 |
| At the Botanical Gardens, University of British Columbia | p. 36 |
| After-Image, Cortes Island | p. 37 |
| My Word Is My Bond | p. 39 |
| We Stand Our Ground | p. 40 |
| Strong, Off Route 209 | p. 41 |
| Imagine That | p. 42 |
| The First, At the Last | p. 44 |
| Rain All Night, Paris | p. 46 |
| A Visit | p. 49 |
| Sensibility | p. 50 |
| St.-Germain-des-Pres: Summer 1948 | p. 51 |
| Ritournelle, for Paris 1948 | p. 52 |
| Private and Profane | p. 54 |
| Anniversary | p. 56 |
| Pleasant Avenue | p. 57 |
| "Ville Indigene": Afrique du Nord | p. 60 |
| Sam Refuted, Respectfully | p. 63 |
| Take Any Card | p. 65 |
| Under a Routine Procedure | p. 67 |
| Elegy for Elizabeth Bleecker Averell | p. 68 |
| Gigue for Christmas Eve | p. 69 |
| To Forbid Grief | p. 70 |
| Because We Certainly Have Nothing Better to Do | p. 71 |
| Survival | p. 72 |
| Springing | p. 73 |
| Dialogue of Nemo and Personne | p. 74 |
| Explication de Texte | p. 76 |
| The Crow Dressed in Peacock Feathers | p. 78 |
| A Tale Told by Atheneus (Venus Callipygus) | p. 79 |
| Symposium Holiday | p. 80 |
| Last Resort | p. 81 |
| "Luxuria," Dreamboat | p. 82 |
| Half Full | p. 83 |
| Out of the North: Two Views | p. 84 |
| Take My Disproportionate Desire | p. 89 |
| "Qu'ai-je a Faire en Paradis?" | p. 90 |
| Matins and Lauds | p. 91 |
| Possession | p. 92 |
| Multipara Gravida 5 | p. 93 |
| Communion of Saints: The Poor Bastard Under the Bridge | p. 94 |
| "'What Are You Doing Here, Stephen?'" | p. 95 |
| Rockefeller the Center | p. 96 |
| For a Divorce | p. 99 |
| Basic Skills | p. 103 |
| Residual Paralysis | p. 104 |
| About My Birthday | p. 106 |
| Bilingual | p. 107 |
| Among Women | p. 109 |
| From the Fountain at Vaucluse | p. 110 |
| Ghost Writer | p. 114 |
| The Differance: Chatou-Croissy | p. 117 |
| Live Model | p. 119 |
| Half-Life: Copies to All Concerned | p. 121 |
| Unabashed | p. 123 |
| As Is | p. 124 |
| Late | p. 125 |
| Of Certain Students | p. 129 |
| For a Season | p. 130 |
| Lullaby | p. 131 |
| A Third Thank-You Letter | p. 132 |
| Discovery | p. 135 |
| Advice: Ad Haereditates (I) | p. 137 |
| Gliding | p. 141 |
| The Great Dead, Why Not, May Know | p. 145 |
| On a Library of Congress Photo of Eunice B. Winkless, 1904 | p. 151 |
| The Problem of Freedom and Commitment | p. 153 |
| The Problem of Fiction | p. 154 |
| The Problem of Gratified Desire | p. 156 |
| The Problem of Loving-kindness | p. 157 |
| Wearing the Gaze of an Archaic Statue | p. 158 |
| "Love Is Not Love" | p. 160 |
| Hangzhou, Lake of the Poets | p. 164 |
| Levels | p. 166 |
| The Royal Gate | p. 168 |
| Outside the Fertile Crescent | p. 169 |
| Synthesis | p. 170 |
| De-fusing the Usual Criminal Metaphors | p. 171 |
| Jamaica Wildlife Center, Queens, New York | p. 173 |
| The Ides of May | p. 175 |
| Between | p. 176 |
| Hard-Shell Clams | p. 177 |
| Out of Eden | p. 178 |
| Patient | p. 179 |
| Museum out of Mind | p. 180 |
| Call | p. 183 |
| Friday Market | p. 184 |
| Myopia Makes All Light Sources Radiant | p. 185 |
| In Abeyance | p. 187 |
| Analemmatic | p. 189 |
| Take Time, Take Place | p. 190 |
| "I've Been Around: It Gets Me Nowhere" | p. 199 |
| Old Mama Saturday | p. 201 |
| Northampton Style | p. 203 |
| The Title's Last | p. 204 |
| One Is One | p. 205 |
| Pourriture Noble | p. 206 |
| For My Old Self, At Notre-Dame | p. 208 |
| The Border | p. 210 |
| Separate, In the Swim | p. 212 |
| The Story After the Story | p. 214 |
| Roundstone Cove | p. 216 |
| Reading a Large Serving Dish | p. 217 |
| Analysis | p. 219 |
| Two Questions | p. 220 |
| Pre-Text | p. 222 |
| Explores Cry Out Unheard | p. 224 |
| Winter | p. 225 |
| Oceans | p. 226 |
| Even | p. 227 |
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