Small Worlds examines the minimalist trend in French writing, from the early 1980s to the present. Warren Motte first considers the practice of minimalism in other media, such as the plastic arts and music, and then proposes a theoretical model of minimalist literature. Subsequent chapters are devoted to the work of a variety of contemporary French writers and a diversity of literary genres. In his discussion of minimalism, Motte considers smallness and simplicity, a reduction of means (and the resulting amplification of effect), immediacy, directness, clarity, repetition, symmetry, and playfulness. He argues that economy of expression offers writers a way of renovating traditional literary forms and allows them to represent human experience more directly. Motte provides close readings of novels by distinguished contemporary French writers, including Edmond Jab¨s, Annie Ernaux, Herv© Guibert, Marie Redonnet, Jean Echenoz, Olivier Targowla, and Emmanu¨le Bernheim, demonstrating that however diverse their work may otherwise be, they have all exploited the principle of formal economy in their writing.
Warren Motte is a professor of French at the University of Colorado, Boulder. Playtexts: Ludics in Contemporary Literature (Nebraska 1995) is his most recent book.
Industry Reviews
"This book ... is a timely and well balanced appraisal of a phenomenon which, although known, has perhaps not received the attention it deserves... Small Worlds is an attempt to identify what exists as a latent literary movement and a body of work centred around the aesthetics of Minimalism and which could well take on new forms in the years to come... Indispensable for those studying this field ..."--Journal of European Studies, 2000 "A Small World is an invigorating, elegant, and sardonic look at futurist fantasies of the spectacularization of everyday life. It makes a real contribution to the history of the American technological imagination."-- Scott Bukatman, author of Matters of Gravity: Special Effects and Supermen in the 20th Century "This engaging, fast-paced book synthesizes a broad range of critical viewpoints--phenomenology, poststructuralism, media studies, and American studies--in order to illuminate the long trajectory of the 'smart house,' from the factory-based models of the industrial era to the wired dream-boxes of today. Providing a clear, concise path through a vast body of literature, Davin Heckman's book will be useful for designers, architects, historians, and new media critics seeking to understand where technology is taking us."--Ellen Lupton, Curator of Contemporary Design, Cooper-Hewitt, National Design Museum