Notes on Contributors
Acknowledgements
Note on the Text
Introduction: Shakespeare and his Social Circle on the Stage and Screen, 1998-2023, Edel Semple (University College Cork, Ireland)
Part One: Author
1. Shakespeare Regrets: Redefining the Heritage Biopic in All Is True, Clara Calvo (University of Murcia, Spain)
2. âIâll Drown my Bookâ: Imagining Shakespeareâs Long Lost First Play, Austin Tichenor (Reduced Shakespeare Company, USA)
3. âScarceâ¦a Blot in his Papersâ: Shakespearean Inspiration on Screen, Judith Buchanan (University of Oxford, UK)
4. Interview on Co-writing and Performing in Bill (dir. Richard Bracewell, 2015), Laurence Rickard (BAFTA-winning comedy writer and actor) in conversation with Ronan Hatfull and Edel Semple
5. âThe Thing is, Youâre a Doucheâ: Fourth Wave Feminist Representations of Shakespeare in Emilia and & Juliet, Gemma Allred (University of Neuch¢tel, Switzerland)
Part Two: Family
6. Shakespeareâs Dead, Long Live his Widow! One-woman Plays about Anne Hathaway, Edel Semple (University College Cork, Ireland)
7. Interview on Playing Sue Shakespeare in Upstart Crow (BBC, 2016-2021), Helen Monks (writer, actor, and comedian) in conversation with Ronan Hatfull and Edel Semple
8. Father Shakespeare: Grieving for Hamnet on Stage and Screen, Katherine Scheil (University of Minnesota, USA)
9. Shakespeare and Son in All Is True and OâFarrellâs Hamnet, Paul Franssen (Utrecht University, the Netherlands)
10. Interview on Writing the Play Shakespeareâs Sister (2015), Emma Whipday (Newcastle University, UK; playwright) in conversation with Ronan Hatfull and Edel Semple
Part Three: Theatre
11. Imagining the Formative Presence of Early Modern Women in Shakespeareâs Circle, Naomi J. Miller (Smith College, USA)
12. âThatâs Powerâ: Representations of Performance in Shakespearean Biofiction, Stephen Purcell (University of Warwick, UK)
13. Reverse Engineering Shakespeare: TNTâs Will as Repertory Studies Criticism, Aaron Proudfoot (University of Connecticut, USA)
14. Enter Burbage: The Origin Story of an Acting Superhero in Craig Pearceâs Will, Michael D. Friedman (University of Scranton, USA)
15. #Sharlowe: Connecting Shakespeare and Marlowe in Only Lovers Left Alive, Upstart Crow, and Will, Ronan Hatfull (University of Warwick, UK)
Part Four: Afterlives
16. More âShakespeareâ than Shakespeare: The Notion of âUber-Shakespeareâ in The Lego Movie
Benjamin Broadribb (The Shakespeare Institute, University of Birmingham, UK)
Afterword: Global Shakespearean Biofictions
Ramona Wray (Queen's University Belfast, UK)
Index