Acknowledgements
Contributors Biography
Introduction
Chapter 1: Postdigital Performance by Matthew Causey
Chapter 2: Texts and Contexts by Sarah Bay-Cheng, Jennifer Parker-Starbuck and David Saltz
Chapter 3: Intermediality in Theatre and Performance by Chiel Kattenbelt
Chapter 4: Laszlo Moholy-Nagy's "Theatre of Totality" by Sue Broadhurst
Chapter 5: The Digital Double by Steve Dixon
Chapter 6: The Co-Evolution of Performance and Technology by Sally Jane Norman
Chapter 7: Soulcraft Theorizing Black Techne in African and American Viral Dance by Reginold A. Royston
Chapter 8: Robots on Stage in Contemporary Performance by Elizabeth Jochum
Chapter 9: Algorithmic Theater Then and Now by Annie Dorsen and Tom Seller
Chapter 10: Proscenium as Temporary Shelter by Catherine M. Cole
Chapter 11: Performing 'Art and Technology' in Cold War America by Douglas Eacho
Chapter 12: Performance After Automation by Nicholas Ridout
Chapter 13: Dancing and Cameras by Bill T. Jones
Chapter 14: Choreographing Technology, A Dialog with Bebe Miller
Chapter 15: Animate: XR, Bodies, and the Future of the Stage by Timothy Thomasson and Chris Salter
Chapter 16: Body and Shado: Contingent Transformations of Light on Stage by Katherine Graham
Chapter 17: On The Notion of Verticality in Dramaturgy by Jorgen Dahlqvist
Chapter 18: Invisible Performers: Sonic Ghosts, an Acousdramatic Approach, and the Transformative Potential of Digital Audio Technology in Theater by Kent Olofsson
Chapter 19: Feminist Unboxing: A Critical Approach toward Incorporating Digital Technologies into Creative and Scholarly Work by Jessica J. Rajko
Chapter 20: Post-Colonial Guicharo Robots and the Complexities of Sense-Making in Performance and Technology: A Dialog with Yanira Castro by Norah Zuniga Shaw
Chapter 21: The Non-Linearity of Technical Production in the Performing Arts by Ashley Ferro-Murray
Chapter 22: Headphone Theater and the Performance of Perception by Rosemary Klich
Chapter 23: Choreoauratic Frequencies: Tuning in to Headphonic Encounters from Aotearoa by Becca Wood
Chapter 24: The Spectatorial Body in Multimedia Performance: The London International Festival of Theatre (Lift) 2010 by Jennifer Parker-Starbuck
Chapter 25: But How Will They Know It's Live? Anonymous Ensemble's Virtual Performances by Jessica Del Vecchio and Eammon Farrell
Chapter 26: The Digital Double as a Choreographic Technique: The Splitting Magic on Screens by Suparna Banerjee
Chapter 27: Dramaturgy of Technological Absence: Tim Crouch's Truth's a Dog Must to Kennel by Seda Ilter
Chapter 28: The Cyborg-Apparatus Continuum. or, how the question concerning technology has twisted and turned by Kristof van Baarle
Chapter 29: Access, Performance, Technology: Engaging with the Omissions of a Past Creative Self by Alice Sheppard
Chapter 30: Utterances of Global Futurisms by Bhumi B Patel
Chapter 31: Performing Telepresence: Technology and Coloniality in Choy Ka Fai's Postcolonial Spirits (2021) by Evelyn Wan
Chapter 32: The Ear That Speaks by Eddie Paterson and Lara Stevens
Chapter 33: Critical Techno-dramaturgy: Mobilizing Embodied Perception of the Human-Technology Relationship in Performance by Stephen Fernandez
Chapter 34: The Theatricality of Mindar, K?dai-ji Temple's Android Buddhist Priest by Yuji Sone
Chapter 35: Technologies of Community: Digital Portraits in Black Dance by Thomas F. Defrantz
Chapter 36: Cultural Dreams of Datafied Bodies: Motion Capture as a Technological Imaginary by Laura Karreman
Chapter 37: "In the Half-ight": Phenomenological Approaches to Complex Technological Systems by Susan Kozel
Chapter 38: Landing and Dispersing at the Same Time: Embodied Awareness in Virtual and Physical Spaces by Ruth Gibson and Jenny Roche
Chapter 39: Attending to the Dandelions: Social Movement Building through Participatory Arts Practice by Lyndsey Vader
Chapter 40: Black Haptics by Andre M. Zachery
Chapter 41: Performance as an act of Generosity: Sharing Aboriginal Stories through Drone Dramaturgy in Moombaki by Christina Chau and Helena Grehan
Chapter 42: Technopoetics of Togetherness: Live Performance before the End of the World by Marcela A. Fuentes
Chapter 43: The Politics of Performance and Technology in South Africa Jay Pather in dialog with Norah Zuniga Shaw and with contributions from Dr. Ketu Katrak
Chapter 44: Addenda, Phenomenology, Embodiment: Cyborgs and Disability Performance by Petra Kuppers
Chapter 45: Blast Theory's Karen: Reharnessing the New Digital Specificities of a Hyperindustrial World by Neill O'Dwyer
Chapter 46: A Bed of One's Own: (In)Voluntary Choices of Disengagement in Digital Performance Environments by Eirini Nedelkopoulou
Chapter 47: The Sublime Grandeur of Inconsequential Death by Kate Ladenheim
Chapter 48: Performing Counterhistory: The Ghostly Archives of Summer of Soul by Gabriela Trigo-McIntyre
Chapter 49: Archives of Care by Gesel R. Mason, Rebecca Salzer, and Carlson H. Coogler
Chapter 50: Critical Multimedia Editions for Theater Research by Miguel Escobar Varela
Chapter 51: Evolving Practices of Choreographic Transmission for the Screen and Beyond by Shannon Cuykendall
Chapter 52: Playing at Performance: Dance Games and Intimate Media by Kiri Miller
Chapter 53: Steps by Paul Kaiser
Chapter 54: Just Moves?: Motion Extraction, Machine Learning, and the Generative Derivative in Dance By Harmony Bench
Chapter 55: TikTok and Short-Form Screendance Before and After COVID by Alexandra Harlig and Harmony Bench with Crystal Abidin, Trevor Boffone, Kelly Bowker, Colette Eloi, Pamela Krayenbuhl and Chuyun Oh
Chapter 56: Data Drama: How Machine Audiences Reprogram Theater by Sarah Bay-Cheng with contributions from Mariel Marshall and Daniela Rosu
Index
