Reverse Shots

Introduction: Dream Makers; Introduction: Globalizing Indigenous Film & Media; He Who Dreams: Reflections on an Indigenous Life in Film; Speakin' Out Blak: New & Emergent Aboriginal Filmmakers Finding Their Voices; Taking Pictures B(l)ack: The Work of Tracey Moffatt; The Journals of Knud Rasmussen: Arctic History as Post/Colonial Cinema; Re-Historicizing in Indigenous Short Film: Wayne Blair's Djarn Djarns & Black Talk; "Once upon a Time in a Land Far, Far Away": Representations of the Pre-Colonial World in Atanarjuat, Ofelas & 10 Canoes; Ka Whawhai Tanu Matou: Indigenous Television in Aotearoa/New Zealand; Aboriginal New Media Arts: A Real Cultural Practice?; In Search of "We": Caching Igloolik Video in the South; The Prince George Metis Elders Documentary Project: Matching Product with Process in New Forms of Documentary; "Whacking the Indigenous Funny Bone": Native Humour & Its Healing Powers in Drew Hayden Taylor's Redskins, Tricksters, & Puppy Stew; Situating Indigenous Knowledges: The Talking Back of Alanis Obomsawin & Shelley Niro; "I Wanted to Say How Beautiful We Are": Cultural Politics in Loretta Todd's Hands of History; Filming Indigeneity as Flanerie: Dialectic & Subtext in Terrance .Odette's Heater; Playing with Land Issues: Subversive Hybridity in The Price of Milk.