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Reincarnation Stories - Kim Deitch

Reincarnation Stories

By: Kim Deitch

Hardcover | 15 October 2019 | Edition Number 1

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The award-winning cartoonist returns with a graphic novel that spans the past, present, and future of human history, in which Deitch himself, in a parallel reality, meets his spiritual nemesis, Waldo the Cat.

Kim Deitch is an underground cartoonist—i.e., a contemporary of Spiegelman, et al.—whose craft just keeps getting better and better. Aesthetically inspired by silent film and 1930s animation, Deitch’s comics are infused with 1960s psychedelia and spiritualism. Reincarnation Stories is a collection of comics narratives that combine into a graphic novel. It spans the past, present, and future of human history, with appearances by Frank Sinatra, monkey gods, a forgotten cowboy star of the silver screen, and a tribe of Native Americans that successfully resettled on the moon. In a parallel reality, Deitch himself is the mega-successful creator of a series of kids books about a superhero called Young Avatar, who helps marginalized souls lead better lives and whose alter ego is a carpenter. Deitch's spiritual nemesis (an incarnation of Judas Iscariot), Waldo the Cat, makes an appearance.
Black & white illustrations.

Industry Reviews
Reincarnation Stories goes flamboyantly off the rails, making a hash of narrative throughlines and pulverizing the divide between truth and fiction. Underneath the appearance of lawlessness, there's a huge amount of craft and care.-- "NPR Books"
Deitch has created one of the most complex, sprawling, strange and great ongoing works of American art -- in any medium -- of the last century. The latest volume in his universe is Reincarnation Stories, and it's one of his very best. At 75 years old, [Deitch] is creating more vibrant and exciting work than other graphic novelists half his age.--Chris Ware "The Guardian"
Kim Deitch, a mainstay of the underground comix movement, gives a full display of his ebullient creativity in his new book, Reincarnation Stories.-- "The New Yorker"

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