Record Play Pause

Confessions of a Post-Punk Percussionist: the Joy Division Years: Volume I

By: Stephen Morris

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Paperback | 16 May 2019 | Edition Number 1

At a Glance

Paperback
416 Pages

Dimensions(cm)
23.3 x 15.2 x 2.9

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A remarkable memoir from New Order's Stephen Morris, who tells his story for the first time.

Stephen Morris has had a distinguished career, spanning nearly forty years, as a pivotal member of Joy Division and New Order with his trademark machine-like drumming. After the death of Joy Division's singer, Ian Curtis, in 1980, Bernard Sumner, Peter Hook, Morris and his wife Gillian formed New Order, one of the most critically acclaimed and influential bands of the late twentieth century. New Order became the flagship band for Tony Wilson's Factory Records and, alongside him, opened the infamous Hacienda nightclub, the centre of the acid house movement. In 2015, after a ten-year hiatus, New Order released MUSIC COMPLETE; which charted at #2 in its first week of release (the band's highest position in over twenty years).

Stephen's book won't be that typical music autobiography, which tends to be high on mischief and low on the music. Part memoir, part visual scrapbook, part aural history, it will be a hybrid memoir in Stephen's wry and witty voice. Stephen will weave a dual narrative of growing up in the North West during the 1970s with how the music actually works. It will also explore what it is to be part of a mythologised band and the idea of what you do becoming who you are.

About the Author

Stephen Morris is a widely published computing author and IT trainer.

Industry Reviews

A unique and thoughtful musical memoir * Observer *
Gritty coming-of-age story . . . plenty of anecdotes to keep us hooked, and his memories of Joy Division's Ian Curtis are poignant * Daily Mirror *
Record Play Pause tells a familiar story . . . but Morris brings a freshness to it * Glasgow Herald *
Self-deprecating, unembittered and happy to occupy the role of technically-minded synergist, Morris is a frank and humorous narrator uninterested in grudges . . . Hugely mirthful in northern English ways, Stephen recalls his youth with frustration and fondness . . . Familiar ground and personalities are (inevitably) revisited, but the author's dry wit ensures a singular perspective and winning detail . . . Arguably the most human of the Joy Division memoirs, Record Play Pause shows that even after 40 years there are still new ways to engage with and illuminate this most analysed of groups * Mojo *

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