Reading Derrida's Of Grammatology

Introduction: Punctuations Sean Gaston Preface: Reading De la grammatologie, Gayatri Chakravorty Spivak PART I:  WRITING BEFORE THE LETTER 1. The End of the Book and the Beginning of Writing i. Epoch, Event, Context Christopher Johnson  ii. Origins: "the most original and powerful ethnocentrism" Michael Syrotinski iii. Even Leibniz Sean Gaston iv. The Cybernetic Imaginary Christopher Johnson v.  Deconstruction - A Little Note Forbes Morlock vi. From Etymology ("etumos logos") to Translation, via Badiou and Paulhan Michael Syrotinski vii. Of Dark Sentences and Gnomes Julian Wolfreys viii. Pneumatology, Pneuma, Souffle, Breath Michael Naas ix. Good Writing Sarah Wood x. A Certain Way of Inhabiting Peggy Kamuf xi. The Idea of the Book Ian Maclachlan xii. Forbes Morlock 2. Linguistics and Grammatology i. Exergue J. Hillis Miller ii. Brisure J. Hillis Miller iii. Jeu J. Hillis Miller iv. Trace J. Hillis Miller v. Bizarre Nicholas Royle vi. Arbitrary Derek Attridge vii. Writing and World Sean Gaston viii. This Concept Destroys its Name Ann Smock ix. Embarrassing Experience Ian Maclachlan x. A Hinge Ian Maclachlan xi. Something Other Than Finitude Ian Maclachlan xii. L'overture blanche Jean-Luc Nancy 3. Of Grammatology as a Positive Science i. Grammatology as a "Positive" Science Christopher Johnson ii. Writing In Evolution, Evolution As "Writing" Christopher Johnson iii. Grammatology as General Science Peggy Kamuf iv. Why Leibniz Paul Davies v. Difference - A Little Note Forbes Morlock vi. The Constitution of Good and Bad Objects Sarah Wood PART II: WRITING, NATURE, CULTURE 1. The Violence of the Letter: From Levi-Strauss to Rousseau i. Leurre, Lure, Delusion, Illusion Michael Naas ii. The Subject of Reading - 1 Forbes Morlock 2. "... That Dangerous Supplement ..." i. Entamer, Entame, To Initiate or Open Up, to Breach or Broach Michael Naas ii. The Subject of Reading - 2 Forbes Morlock iii. The Subject of Reading - 3 Forbes Morlock iv. L'habitation des femmes Peggy Kamuf    3. Genesis and Structure of the Essay on the Origin of Languages 3.1 The Place of the "Essay" i. Pity, Virtuality and Power Sean Gaston ii. Being-in Nature Peggy Kamuf iii. Preference and Force Clare Connors  iv. Dynamis and Energia Clare Connors 3.2 Imitation i. Fractal Geography Geoffrey Bennington ii. Estampe Ann Smock iii. Accents Ann Smock iv. The Copyist Forbes Morlock v. Articulation, Accent and Rhyme Clare Connors 3.3 Ariticulation i. Butades, the Invention of Drawing and "immediate sign" Michael Naas ii. The Eye at the Centre of Language Peggy Kamuf iii. Climate and Catastrophe: A Lost Opening? Timothy Clark iv. The Subject of Reading - 4 Forbes Morlock v. The Subject of Reading - 5 Forbes Morlock vi. The Point d'Eau or the Water-Holes that are Imperceptibly Present in Writing Sarah Wood vii. Rhythm Clare Connors viii. Presque Clare Connors 4. From/Of the Supplement to the Source: The Theory of Writing i. The Subject of Reading - 6 Forbes Morlock ii. Theatre Without Theatre Ann Smock iii. On Naïvete Peggy Kamuf iv. Kafka, Literature and Metaphor Sean Gaston v. Periodicity Sean Gaston vi. Habitation in General Peggy Kamuf vii. "From somewhere where we are" Peggy Kamuf Biographical Notes: Intervals Bibliography Index.