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Prometheus Bound : New York Review Books Classics - Aeschylus Aeschylus

Prometheus Bound

By: Aeschylus Aeschylus

Paperback | 15 April 2015 | Edition Number 1

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"Prometheus Bound" is the starkest and strangest of the classic Greek tragedies, a play in which god and man are presented as radically, indeed irreconcilably, at odds. The play begins with the shock of hammer blows as the Titan Prometheus is shackled to a rock in the Caucasus where day after day an eagle will return to devour his liver. This is his punishment not only for the gift of fire to humankind but for thwarting Zeus's decision to exterminate the human race. Prometheus's pain is unceasing, but he regrets nothing and when he is invited to make peace with Zeus, he only reaffirms his commitment to humanity, to whom he has brought not only fire but the knowledge of writing, mathematics, medicine, and architecture. Prometheus hints that he knows how Zeus will be brought low in the future, but when Hermes comes as Zeus's emissary to demand that Prometheus divulge his secret, he refuses and is sent spinning into the abyss by a divine thunderbolt. To whom does humanity owe thanks and allegiance: to the creator god or to the rebel Titans? Does our knowledge and very existence reflect a flaw woven into the fabric of being? What law controls the cosmos? "Prometheus Bound," one of the great poetic achievements of the ancient world, appears here in a splendid new translation by Joel Agee that does full justice to the harsh and keening music of the original Greek.'
Industry Reviews
"Prometheus's rebellion is the rebellion of life against inertia, of mercy and love against tyranny, of humanity against cruelty and arbitrary violence." --Thomas Merton

"Joel Agee has found exciting ways to vivify the speeches with apparently scrupulous fidelity to sound. In this English, the poetry slashes like modern verse and the direct address boasts a blunt immediacy that exhorts us to consider our own issues with the State, with individualism and obedience, with the larger consequences of war and despoilment. It blows away the dated rhetoric of such predecessors as Elizabeth Barrett Browning and Robert Lowell." --Myron Meisel, The Hollywood Reporter

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