Programming the Future

Politics, Resistance, and Utopia in Contemporary Speculative TV

By: Sherryl Vint, Jonathan Alexander

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Paperback | 30 December 2022 | Edition Number 1

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Paperback
256 Pages

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22.8 x 15.2 x 1.1

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From 9/11 to COVID-19, the twenty-first century looks increasingly dystopian-and so do its television shows. Long-form science fiction narratives take one step further the fears of today: liberal democracy in crisis, growing economic precarity, the threat of terrorism, and omnipresent corporate control. At the same time, many of these shows attempt to visualize alternatives, using dystopian extrapolations to spotlight the possibility of building a better world.

Programming the Future examines how recent speculative television takes on the contradictions of the neoliberal order. Sherryl Vint and Jonathan Alexander consider a range of popular SF narratives of the last two decades, including Battlestar Galactica, Watchmen, Colony, The Man in the High Castle, The Expanse, and Mr. Robot. They argue that science fiction television foregrounds governance as part of explaining the novel institutions and norms of its imagined futures. In so doing, SF shows allegorize and critique contemporary social, political, and economic developments, helping audiences resist the naturalization of the status quo. Vint and Alexander also draw on queer theory to explore the representation of family structures and their relationship to larger social structures. Recasting both dystopian and utopian narratives, Programming the Future shows how depictions of alternative-world political struggles speak to urgent real-world issues of identity, belonging, and social and political change.

Industry Reviews

From the post-9/11 Battlestar Galactica to Mr. Robot, from questions of neoliberalization and political polarization to surveillance society and the war on terror, Vint and Alexander's Programming the Future is an exemplary study of twenty-first-century science fiction television as seen through the crisis of U.S. democracy. -- Gerry Canavan, Marquette University
By way of a vigorous engagement with the problematics and the politics of form, Vint and Alexander mobilize the generic operations of the utopian and dystopian imaginaries in order to decisively explicate the ways in which a selection of recent science fictional television series challenge the operations of the neoliberal order even as they refuse nihilistic resignation by way of figuring radical utopian alternatives. In doing so, they provide readers and viewers with a deep interpretive interrogation of our contemporary social order that generates a standpoint and politics of hope emerging from our dark times. -- Tom Moylan, author of Becoming Utopian: The Politics and Culture of Radical Transformation

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