The Faust myth reinterpreted for the information age. At the turn of the 16th century in the city of Wittenberg, Magister Faust is made an offer he cannot refuse by a force he cannot resist. If he accepts the offer he will know all there is to know, have answers to the mysteries of physics, astronomy and religion that have long frustated him, but if he accepts he will also be condemning the human race to inevitable death. Or so says the demon, Mephistopheles. With the sharing of demonic knowledge comes the race for ever greater technological breakthroughs - within scant years the inventions of the twentiethcentury, the atrocity machines, are ready...Mesphistopheles' vision of the end of mankind is days away - a dictator is risen and the final nuclear confrontation looms
Industry Reviews
What if Faust in the 16th century had been offered the knowledge available in the 20th? Well, Swanwick (The Iron Dragon's Daughter, 1994, etc.) strives to outdo a couple of literary giants (Marlowe, Goethe) with this recasting of the familiar story. At the start of the 16th century, scholar Johannes Faust of Wittenberg burns his library in despair at the stupid lies the books contain. But then he strikes a bargain with Mephistopheles, a devil from another, higher-energy universe: In exchange for knowledge - which, Faust maintains, humanity will use to ennoble and perfect itself - Faust agrees that he will listen only to whatever Mephistopheles has to say (the devil's intention, plainly stated, is for humanity to exterminate itself). Faust's initial attempts to disseminate his new knowledge are rejected. Then, in Nuremberg, he determines to win the heart of the lovely and intelligent Margarete Reinhardt, while his moneymaking inventions are enthusiastically taken up by Margarete's industrialist father. Under Faust's guidance, an industrial revolution explodes across Germany - but, rejected again, Faust must flee to London, leaving Margarete to manage the business. Among other developments, the ironclad Spanish Armada sets sail, pitting German cannons against English rockets. Faust continues to drive science and technology forward, manipulating and betraying poor Margarete as mercilessly as he does everybody else. A vivid and energetic reworking, set forth with all Swanwick's considerable skill. And yet the reader is constrained to ask, so what? (Kirkus Reviews)