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Felix is at the top of his game as Artistic Director of the Makeshiweg Theatre Festival. His productions have amazed and confounded. Now he’s staging a Tempest like no other: not only will it boost his reputation, it will heal emotional wounds.
Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And also brewing revenge.
After twelve years, revenge finally arrives in the shape of a theatre course at a nearby prison. Here, Felix and his inmate actors will put on his Tempest and snare the traitors who destroyed him. It’s magic! But will it remake Felix as his enemies fall?
Margaret Atwood’s novel take on Shakespeare’s play of enchantment, revenge and second chances leads us on an interactive, illusion-ridden journey filled with new surprises and wonders of its own.
Industry Reviews
"A triumph... The book illuminates the breadth and depth of the whole play. The troupe's workshops on it fizz with perception as Atwood transmits the pleasurable buzz of exploring a literary masterpiece. There won't be a more glowing tribute to Shakespeare in his 400th anniversary year" -- Peter Kemp * Sunday Times *
"Atwood reinterprets the play as a heartbreaking novel, told in gorgeous yet economical prose" -- Editor's Choice * New York Times Book Review *
"Surpassingly brilliant... without question the cleverest "neo-Shakespearean novel" I have ever read... the learning and the critical analysis are worn exceptionally lightly, always subordinated to wit, invention, characterisation and slick twists of plot... wonderfully ingenious" -- Jonathan Bate * The Times *
"An absolute triumph... ravishing... I am not ashamed to say that I didn't just have a lump in my throat by the end of Hag-Seed, I had tears on the fringed curtains of mine eyes" -- Stuart Kelly * Scotland on Sunday *
"At its heart Hag-Seed is a love letter to Shakespeare and a passionate treatise on the power of language, poetry and the arts. But it is also a study of loss and love and the power of forgiveness to heal when all seemed lost" -- Marnie Gilmore * Daily Express *
"Atwood never loses sight of the original... Hag-Seed is not only a fine example of the shape-shifting versatility of Shakespeare's texts, but a successful novel in its own right... Hag-Seed displays Atwood's inventiveness at its shining best, a novel that enchants on its own terms and returns you to the enchantments of the original" -- Rebecca Abrams * Financial Times *
"The novel shines a thrilling new light on The Tempest's themes of revenge and forgiveness... as well as making a strong case for art's ability to "set you free" by helping you understand yourself." -- Helen Brown * Sunday Telegraph *
"An unqualified success... an enlightening and exciting exploration of Shakespeare's themes... A wonderfully intelligent book" -- John Harding * Daily Mail *
"Margaret Atwood throws a handful of theatrical glittery confetti over Shakespeare's The Tempest ... A compelling tale of a bereaved father -- haunted by the memory of his lost daughter -- who learns to face up to "the plain, unvarnished grime of real life", transforming it into something buoyant, resonant and hopeful" -- Eithne Farry * Sunday Express *
"Atwood at her bewitching best" * LA Review of Books *
"A wonder... a work of genius... a sheer delight... In this shimmering tale that celebrates Shakespeare's tricky genius, his immortal reach, Atwood has given us something for everyone" * Globe & Mail, Canada *
"A slyly inventive, intricately constructed homage with plenty of its own points to make" -- Hepzibah Anderson * Mail on Sunday *
"An inventive riff on Shakespeare's last solo play... done with gusto and extravaganza... gives the old play, yet again, new life" -- Alexandra Harris * The Guardian *
"Hag-Seed is the fourth novel in Hogarth's Shakespeare series marking the 400th anniversary of the Bard's death, and by far the best. Everything in the play has a place in the novel -- and it's a ripping yarn too" -- Fiona Wilson * The Times *
"Atwood's superlative retelling of The Tempest owes as much to Machiavelli as to Shakespeare. It is another outstanding contribution to the Hogarth Shakespeare series ... With a motley crew of inmates, a creative lexicon of Shakespearean-style oaths and the mischievous antics of a modern-day Ariel, this reimagining of The Tempest imbues the spirit of the original with an energetic and poetic transformation. A thoroughly engrossing take on a timeless classic" -- Martyn Colebrook * The Lady *
"Funny and dark, Hag-Seed is as clever and full of layers as Shakespeare's original. The Bard would be proud" * Stylist *
"Hag-Seed, Margaret Atwood's exhilarating reworking of the play for the Hogarth Shakespeare series, mixes high drama, deep feeling and wild fun... in a story that is both realistic and otherworldly" -- Lindsay Duguid * The Times Litaray Supplement *
"[A] wry, clever romp... Atwood knows the play, is sharp as nails and sees the potential in theatre harnessing our Brave New World of computer technology." -- Eileen Battersby * Irish Times *
"An absolute triumph... Among the most intelligent and inspiring readings of The Tempest... I am sorry that the publishers didn't ask Atwood to reimagine all 37 plays." -- Stuart Kelly * I *
Monday, January 7, 2013.
Felix brushes his teeth. Then he brushes his other teeth, the false ones, and slides them into his mouth. Despite the layer of pink adhesive he's applied, they don't fit very well; perhaps his mouth is shrinking. He smiles: the illusion of a smile. Pretense, fakery, but who's to know?
Once he would have called his dentist and made an appointment, and the luxurious faux-leather chair would have been his, the concerned face smelling of mint mouthwash, the skilled hands wielding gleaming instruments. Ah yes, I see the problem. No worries, we'll get that fixed for you. Like taking his car in for a tuneup. He might even have been graced with music on the earphones and a semi-knockout pill.
But he can't afford such professional adjustments now. His dental care is low-rent, so he's at the mercy of his unreliable teeth. Too bad, because that's all he needs for his upcoming finale: a denture meltdown. Our revelth now have ended. Theeth our actorth … Should that happen, his humiliation would be total; at the thought of it even his lungs blush. If the words are not perfect, the pitch exact, the modulation delicately adjusted, the spell fails. People start to shift in their seats, and cough, and go home at intermission. It's like death.
"Mi-my-mo-moo," he tells the toothpaste-speckled mirror over the kitchen sink. He lowers his eyebrows, juts out his chin. Then he grins: the grin of a cornered chimpanzee, part anger, part threat, part dejection.
How he has fallen. How deflated. How reduced. Cobbling together this bare existence, living in a hovel, ignored in a forgotten backwater; whereas Tony, that self-promoting, posturing little shit, gallivants about with the grandees, and swills champagne, and gobbles caviar and larks' tongues and suckling pigs, and attends galas, and basks in the adoration of his entourage, his flunkies, his toadies … Once the toadies of Felix.
It rankles. It festers. It brews vengefulness. If only … Enough. Shoulders straight, he orders his gray reflection. Suck it up. He knows without looking that he's developing a paunch. Maybe he should get a truss.
Never mind! Reef in the stomach! There's work to be done, there are plots to be plotted, there are scams to be scammed, there are villains to be misled! Tip of the tongue, top of the teeth. Testing the tempestuous teapot. She sells seashells by the seashore.
There. Not a syllable fluffed.
He can still do it. He'll pull it off, despite all obstacles. Charm the pants off them at first, not that he'd relish the resulting sight. Wow them with wonder, as he says to his actors. Let's make magic! And let's shove it down the throat of that devious, twisted bastard, Tony.
ISBN: 9781781090220
ISBN-10: 178109022X
Series: Hogarth Shakespeare
Published: 6th October 2016
Format: Hardcover
Language: English
Number of Pages: 320
Audience: General Adult
Publisher: Vintage Publishing
Country of Publication: GB
Dimensions (cm): 22.2 x 14.2 x 2.9
Weight (kg): 0.52

Margaret Atwood
Margaret Atwood was born in 1939 in Ottawa and grew up in northern Ontario, Quebec, and Toronto. She received her undergraduate degree from Victoria College at the University of Toronto and her master's degree from Radcliffe College.
Throughout her writing career, Margaret Atwood has received numerous awards and honourary degrees. She is the author of more than thirty-five volumes of poetry, children’s literature, fiction, and non-fiction and is perhaps best known for her novels, which include The Edible Woman (1970), The Handmaid's Tale (1983), The Robber Bride (1994), Alias Grace (1996), and The Blind Assassin, which won the prestigious Booker Prize in 2000. Atwood's dystopic novel, Oryx and Crake, was published in 2003. The Tent (mini-fictions) and Moral Disorder (short stories) both appeared in 2006. Her most recent volume of poetry, The Door, was published in 2007. Her non-fiction book, Payback: Debt and the Shadow Side of Wealth in the Massey series, appeared in 2008, and her most recent novel, The Year of the Flood, in the autumn of 2009. Ms. Atwood's work has been published in more than forty languages, including Farsi, Japanese, Turkish, Finnish, Korean, Icelandic and Estonian. In 2004 she co-invented the Long Pen TM.
Margaret Atwood currently lives in Toronto with writer Graeme Gibson.
Associations: Margaret Atwood was President of the Writers' Union of Canada from May 1981 to May 1982, and was President of International P.E.N., Canadian Centre (English Speaking) from 1984-1986. She and Graeme Gibson are the Joint Honourary Presidents of the Rare Bird Society within BirdLife International. Ms. Atwood is also a current Vice-President of PEN International.
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