Aperï½us

Scottish writers' concern with fantastic otherworlds goes back to Celtic mythology. The Scottish philosophers of the 18th century and the scientists and inventors of the 19th century were worlds ahead of their time. Today this tiny country survives in the shadow of nuclear subs, Trident missiles, and nuclear reactors, all the stuff of contemporary science fiction. This interesting study, which was born out of an MLA conference, includes work by seven Scotland-based senior scholars and three Americans in addition to McCracken-Flesher (Univ. of Wyoming). Two of the top Scottish sci-fi authors (Iain M. Banks and Matthew Fitt) receive two chapters each; Robert Louis Stevenson, J. M. Barrie, Muriel Spark, Alasdair Gray, Naomi Mitchison, et al. are also treated. Edwin Morgan even managed to write Scottish poetry as sci fi in "A Home in Space." The problem with studying this speculative genre is how to reconcile science fiction with a regional culture and an obsolescent Scots language. This provocative study meets the challenge head-on. With a mixture of science and fantasy, myth and technology, the land of Dolly the cloned sheep has created a "brave new Scotland" in rewriting the genre of science fiction. Good bibliography and notes (devalued by tiny print). Summing Up: Recommended. Upper-division undergraduates, graduate students, researchers.