"[An] allusive and mysterious novel . . . one of [Lennon's] finest." --The New York Times Book Review
"This is an important book, one that reflects the 21st-century human's fragmentary condition in both content and form, told in a manner so thrilling that it achieves an almost magical propulsion. It's very funny, too. . . . Lennon has created a woman for our times, no matter how many of our times are happening at once. Familiar is a terrific novel, unnerving and, ultimately, true." --Boston Globe
"Familiar is as tightly wound as a great Alfred Hitchcock movie. . . . He keeps Familiar balanced at a perfect pitch between allowing us to believe what has happened to Elisa is real and to think that she's had a mental breakdown brought about by anxiety and depression. In the scientific shadows, Lennon has executed a literary puzzle, a marvelous trick of the mind." --Los Angeles Times
"The questions posed by this novel shift over time from the metaphysical to the moral, and in the end, Familiar stands as a resonant and haunting riddle." --Star Tribune (Minneapolis)
"Like Vonnegut, Lennon is able to defy genres. . . . Sad and captivating, Familiar explores the depths of loss and the limits of reality, leaving us to consider our susceptibility to the lives we create for ourselves." --The Outlet, the blog of Electric Literature
"Lennon's smart, chilling prose and the urgency of present tense carry this story to its dramatic, if ambiguous, conclusion. . . . A smart, fast-paced novel." --Shelf Awareness for Readers, starred review
"A novel that imposes itself on the imagination from the opening sentences . . . Lennon's brisk prose is both vivid and precise; the dialogue is clear and authentic, often funny. In fact, considering that this is a deadly serious, often bewildering and affecting novel, Familiar is witty and satiric. It is obvious that its genius lies in Lennon's feel for metaphysical contradictions that consistently undercut the realism . . . a similar approach to the theme of parallel universes and altered experiences within shifting time frames has also been explored in novels such as Haruki Murakami's 1Q84 or Tom McCarthy's Remainder, neither of which achieves the unsettling mastery of Lennon's far shorter and infinitely superior novel, which could inspire a brilliant screenplay ... Familiar is fresh and original; it is also disturbing in its strangeness, because that strangeness is eerily real." --The Irish Times
"The direct present-tense narration and instantly engaging plight prove an irresistible combination. . . . One of the clever things about the set-up here is how neatly it invigorates some of the drearier procedures of conventional fiction . . . a meditation on family and identity likely to stir brain and heart alike." --The Observer
"Lennon is an American writer whose novels delicately probe the psychology of their protagonists. . . . In Familiar Lennon uses his sci-fi vehicle to create eerie fiction. The notion of parallel universes becomes a metaphor for life choices and their results . . . immersion in her alternate realities prompts reflection upon the aleatory nature of our own life, in all its uncanniness." --The Independent on Sunday
"This highly convincing nightmare reads like a thriller; Lennon is painfully truthful about grief and parenthood." --The Times
"Tight in focus and construction and written in a steady present tense. . . . Lennon generally resists the comic and narrative possibilities available to his structure in favour of exploiting its capacity for generating metaphors and analogies--and by refusing to work his way through to a moment of sensible closure, ending instead at a point when things are at their most blurry and brain-teasing, he has constructed an otherworldly narrative that feels fleshed out but not stretched thin." --The Evening Standard
"J. Robert Lennon's beautifully written new novel bristles with menace and suspense--a terrific and disturbing read." --The Daily Mail
