Connect

By: Julian Gough

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Paperback | 2 May 2019

At a Glance

Paperback
400 Pages

Dimensions(cm)
19.8 x 12.9 x 3.1

Paperback

$26.75

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Nevada; the near future; a family about to implode.

In a world run by computers, hackers have power – and awkward, home-schooled Colt is among the best. But when Colt secretly submits his mother Naomi’s breakthrough research to a biotech conference, and it is immediately shut down, mother and son are forced to go on the run. Now Colt is coding for his life.

As the military, and Colt’s father, hunt them through a Las Vegas of self-driving cars and surveillance drones, Naomi has to decide how far she will go to protect her child. Can she kill a man? Can she destroy the world?

And Colt is finally forced to leave the comfort of virtual reality, and face his greatest terror: love.

The world is evolving; humans need to evolve too . . .

For readers of William Gibson, Ready Player One, and Naomi Alderman’s The Power, Connect is a page-turning novel of ideas that thrillingly explores what connection – both human and otherwise – might be in a digital age.

About the Author

Julian Gough is the author of three comic novels and was formerly the lead singer of the underground literary band Toasted Heretic. He won the BBC National Short Story Award in 2007 and was shortlisted for the Everyman Bollinger Wodehouse Prize in 2008 and 2012. In 2011 he wrote the ending to Minecraft, Time magazine's computer game of the year.

Industry Reviews

"A dazzling technothriller . . . propulsive and engrossing"
Guardian

"Connect is so plugged into the technological zeitgeist . . . This is the world we know, several operating systems down the line . . . Instantly convincing . . . It will subtly change the way you see the world."
Sunday Times

"I found Connect propulsively paced and ingeniously twisting. Gough has written a hyperactive, adrenaline-junkie dystopian thriller that deserves to be made into a belter of a film franchise."
The Times

"This stimulating tale of a coder and his mum is a hyper-digital thriller . . . a story of family dysfunction plugged into larger questions about reality, evolution and the west’s self-definition as “the good guys”."
Observer

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