The stunning conclusion to the "New York Times" bestselling Magicians trilogy Quentin Coldwater has lost everything. He has been cast out of Fillory, the secret magical land of his childhood dreams that he once ruled. Everything he had fought so hard for, not to mention his closest friends, is sealed away in a land Quentin may never again visit. With nothing left to lose he returns to where his story began, the Brakebills Preparatory College of Magic. But he can't hide from his past, and it's not long before it comes looking for him. Meanwhile, the magical barriers that keep Fillory safe are failing, and barbarians from the north have invaded. Eliot and Janet, the rulers of Fillory, embark on a final quest to save their beloved world, only to discover a situation far more complex--and far more dire--than anyone had envisioned. Along with Plum, a brilliant young magician with a dark secret of her own, Quentin sets out on a crooked path through a magical demimonde of gray magic and desperate characters. His new life takes him back to old haunts, like Antarctica and the Neitherlands, and old friends he thought were lost forever. He uncovers buried secrets and hidden evils and ultimately the key to a sorcerous masterwork, a spell that could create a magical utopia. But all roads lead back to Fillory, where Quentin must face his fears and put things right or die trying. "The Magician's Land" is an intricate and fantastical thriller, and an epic of love and redemption that brings the Magicians trilogy to a magnificent conclusion, confirming it as one of the great achievements in modern fantasy. It's the story of a boy becoming a man, an apprentice becoming a master, and a broken land finally becoming whole.
Industry Reviews
Praise for "The Magician's Land"" " "Richly imagined and continually surprising. . . . The strongest book in Grossman's series. It not only offers a satisfying conclusion to Quentin Coldwater's quests, earthly and otherwise, but also considers complex questions about identity and selfhood as profound as they are entertaining. . . . "The Magician's Land," more than any other book in the trilogy, wrestles with the question of humanity. . . . This is a gifted writer, and his gifts are at their apex in "The Magician's Land."" --Edan Lepucki, "The New York Times Book Review " "[A] wonderful trilogy. . . . If the Narnia books were like catnip for a certain kind of kid, these books are like crack for a certain kind of adult. . . . Brakebills graduates can have a hard time adjusting to life outside, though some distract themselves by lazily meddling in world affairs (e.g., the election of 2000). Readers of Mr. Grossman's mesmerizing trilogy might experience the same kind of withdrawal upon finishing "The Magician's Land." Short of wishing that a fourth book could suddenly appear by magic, there's not much we can do about it." --Sarah Lyall, "The New York Times " "Grossman makes it clear in the deepening complexity and widening scope of each volume that he understands the pleasures and perils of stories and believing in them. . . . "The Magician's Land" triumphantly answers the essential questions at the heart of the series, about whether magic belongs to childhood alone, whether reality trumps fantasy, even whether we have the power to shape our own lives in an indifferent universe." --Gwenda Bond, "The Los Angeles Times " "A wholly satisfying and stirring conclusion to this weird and wonderful tale. . . . Relentlessly subversive and inventive. . . . Grossman can . . . write like a magician. . . . [He] reminds us that good writing can beguile the senses, imagination and intellect. The door at the back of the book is still there, and we can go b
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