Before Twilight and True Blood, even before Buffy and Anne Rice and Bela Lugosi, vampires haunted the nineteenth century, when brilliant writers everywhere indulged their blood thirsty imaginations, culminating in Bram Stoker's legendary 1897 novel, Dracula.
Michael Sims brings together the very best vampire stories of the Victorian era-from England, America, France, Germany, Transylvania, and even Japan - into a unique collection that highlights their cultural variety. Beginning with the supposedly true accounts that captivated Byron and Shelley, the stories range from Edgar Allan Poe's The Oval Portrait and Sheridan Le Fanu's Camilla to Guy de Maupassant's The Horla and Mary Elizabeth Braddon's Good Lady Ducayne. Sims also includes a nineteenth century tour of Translayvanian superstitions, and rounds out the collection with Stoker's own Dracula's Guest - a chapter ommitted from his landmark novel.
Vampires captivated the Victorians, as Sims reveals in his insightful introduction: In 1867, Karl Marx described capitalism as 'dead labour, which, vampire-like, lives only by sucking living labour', while in 1888 a London newspaper invoked vampires in trying to explain Jack the Ripper's predations. At a time when vampires have been re-created in a modern context, Dracula's Guest will remind readers, young, old and inbetween of why the undead won't let go of our imagination.
About the Author
Michael Sims is the author of the acclaimed Apollo's Fire: A Day on Earth in Nature and Imagination, Adam's Navel: A Natural and Cultural History of the Human Form, and editor of the recent The Penguin Book of Gaslight Crime: Con Artists, Burglars, Rogues, and Scoundrels from the Time of Sherlock Holmes. He lives in western Pennsylvania.
Industry Reviews
'This creepy conoisseur's collection of Victorian vampire stories is PACKED with pointy-toothed blood-suckers and gruesome ghastliness ... Think Christopher Lee in his coffin, red eyes snapping open, dust off your wooden stake and garlic necklace, and blame the 18th century Eastern Europeans whose peasant superstitions spawned the whole gory vampire genre' Daily Mail 'Long before vampires were sparkly and romantic, they were actually scary. This collection brings together some of the Victorian era's most chilling bloodsucker fiction' Entertainment Weekly 'Vampire stories didn't begin with Stephenie Meyer's Twilight series, Anne Rice's bayou bloodsuckers or even Bram Stoker's Dracula in 1897. What one finds, in reading Dracula's Guest, is that these creatures emerged from 18th century accounts of Eastern European peasant superstitions, then got a boost from the Romantic movement... Almost from the beginning, the vampire story wasn't just a creepy encounter with the Other Side; it was thinly veiled erotica. The undead were hot long before Hollywood and the fan obsession surrounding Eclipse, the latest installment in the Twilight series' Los Angeles Times