2045-2059. In spite of the world-changing upheavals of Step Day and the Yellowstone eruption -- humanity is spreading further into the Long Earth, and society, both on a battered Datum Earth and beyond, continues to evolve.
Lobsang, now an elderly and somewhat over-complex AI, seems to have suffered a breakdown of sorts. With Agnes, he now lives, in disguise, in an exotic High-Meggers world -- 'New Springfield' --- determined to lead a 'normal' life as a human colonist. They even adopt a child, a son. But it seems that Sally Linsay guided them there for a reason.
For it's at New Springfield that the Long Earth chain of worlds has become 'entangled' with another Long world -- an alien planet. Strange haunted-house sightings in a cellar reveal this alien world to be inhabited by voracious colonising cyborgs --- 'silver beetles' -- who seem to be modifying this world for their own terrifying purposes.
Elsewhere Joshua, now in his fifties, tries to track down the father he's never known. In so doing, he unravels a deeper history -- of natural steppers who banded together in Victorian London. At first they offered their services to the crown, but were eventually hunted down and their secret covered up. But their story didn't end there, and it would seem that an ancestor of Joshua's became embroiled in a clandestine 'Darwinian' programme involving these 19th century steppers.
Free from human control, the super-intelligent Next are growing up. As they debate how to 'manage' the vast herd of humans they live amongst, one of the brightest of them all begins to preach about the unity of all human kinds and in so doing stirs up both human and Next communities -- but then, still only young, he faces a new duty.
Meanwhile, on New Springfield, Lobsang has been joined by Joshua and they've discovered the ominous ultimate goal of the cyborg silver beetles and the vast machines they have created. The threat they pose to the Long Earth -- and other Long worlds -- convinces Lobsang and the others that the beetles' world has to be 'cauterised', taken out of the Long Earth chain, to prevent the spread of their kind. To achieve this will require super-stepping abilities -- and for some it will mean making the ultimate sacrifice.
About the Authors
Terry Pratchett (Author) Terry Pratchett was the acclaimed creator of the global bestselling Discworld series, the first of which, The Colour of Magic, was published in 1983. His fortieth Discworld novel, Raising Steam, was published in 2013. His books have been widely adapted for stage and screen, and he was the winner of multiple prizes, including the Carnegie Medal, as well as being awarded a knighthood for services to literature. He died in March 2015.
Baxter (Author) Stephen Baxter is one of the UK's most acclaimed writers of science fiction and a multi-award winner. His many books include the classic Xeelee sequence, the Time's Odyssey novels (written with Arthur C. Clarke) and Time Ships, a sequel to H. G. Wells's The Time Machine, a Doctor Who novel, The Wheel of Ice, and most recently the epic, far-future novels Proxima and Ultima. He lives in Northumberland.
Industry Reviews
"There's plenty of fun to be had from this . . . a hymn to the joys of unfettered world-building . . . but if the pace of plotting is gentle, the restless inventiveness more than compensates." -- Adam Roberts * GUARDIAN *
"Rich in an awe-inspiring sense of wonder, with mind-boggling concepts thrown out like sparks from a Catherine wheel." -- Barry Forshaw * INDEPENDENT *
"A triumph . . . brings fresh and exciting concepts to an SF staple (paralell worlds) while keeping credible human characters at their heart . . . as testament both to the diversity of Sir Terry Pratchett's writing, and the skill of Stephen Baxter's, The Long Earth series deserves a place on the bookshelves of hardcore SF fans and general readers alike." -- David Barnett * INDEPENDENT ON SUNDAY *
"The Long Earth novels are beautifully visual and wittily imagined . . . The Long Utopia . . . serves to remind us just how bewitching and rich this series is, how beautiful is its writing, and vivid its imagination." * FOR WINTER NIGHTS *
"There's the sense of two enviably talented writers having fun as they play in an infinite fictional universe." -- Jonathan Wright * SFX *