Craving Supernatural Creatures

Craving Supernatural Creatures provides multiple examples of postmodern fairy-tale 'retellings that challenge the classic tales' archetypal villains, thus inviting new perspectives on what makes them bad apples in the world of fairy tales.

--Kirsten M?llegaard "Folklore Journal"

Craving Supernatural Creatures, as fun as it is smart, makes the compelling argument that recent fairy-tale media recast ideas about the Other, advocating the value of diversity. Schwabe's purview includes American fairy-tale films, television, and other media, along with helpful backgrounding discussions of the mainly German literary antecedents. A focus on characters--automatons, golems, doppelgangers, villains, wolves, and dwarfs--means that though the author considers the usual suspects, she also extends her work to less well-known American examples, including some that might not immediately strike most people as fairy-tale inspired works.

--Pauline Greenhill "University of Winnipeg, Manitoba"

In Craving Supernatural Creatures: German Fairy-Tale Figures in American Pop Culture, Claudia Schwabe persuasively counters Jack Zipes's lament that mass media retellings of fairy tales exploit the long history and power of the stories to the tales' detriment. Rather, she argues, reinterpretations of differ- ence and Otherness and the redemption or humanization of the monsters and villains of German folklore in North American mass media productions point to a cultural shift toward embracing diversity as a positive trait rather than something to be feared.

--Shannan Palma "Marvels & Tales"

Schwabe finds fairy-tale media, merchandise, and storytelling in everyday situations. Her insightful analysis demonstrates how to draw research questions directly from these observations. The accessible style makes this a compelling book for all who know these contemporary creatures, but not yet in light of diversity issues and historical contexts.

--Jill Terry Rudy "Brigham Young University"

The careful and painstaking work that needs to be done to properly represent the many layers behind the German fairy tale characters of American pop culture takes time and we are thus grateful to have this examination enter the field. Schwabe lays out her analysis clearly and presents the interactions of these complicated structures in a way that is useful to scholars and students. Schwabe's best analysis of the work peels back the intertextual and intercultural layers to demonstrate this unique and ever-expanding relationship.

--Julie L.J. Koehler "German Studies Review"

There is a lot of ground covered in each chapter: the multiple German fairy tales she describes, the timeline she traces for similar images and tropes, her detailed analysis of media, and the related movies and television shows she references. All of this will be helpful for a newcomer to the topic and to students. Schwabe's work is a detailed, comprehensive addition to the field, and it is a good contribution on these topics and themes.

--Karra Shimabukuro "Journal of Folklore Research"

Though the book is likely to appeal most to those who seek out the kind of works that carefully analyze popular cultural texts, Schwabe's presentation of those texts also has the potential to spark the curiosity of a reader with a more casual interest in fairy-tale adaptations. For scholars with a particular interest in the portrayal of supernatural creatures in popular culture, the text is an invaluable reference. As fairytales continue to captivate the North American imagination through a seemingly endless supply of supernatural narratives, Claudia Schwabe helps us all to understand why we crave supernatural creatures.

--Amelia Mathews-Pett "Western Folklore"