From the internationally bestselling, award-winning crime writer Minette Walters, The Cellar is a harrowing, compulsively readable novel about a family of African immigrants, the Songolis, and the dark secret they keep hidden in the depths of their seemingly respectable British home.
On the day Mr. and Mrs. Songoli's young son fails to come home from school, fourteen-year-old Muna's fortunes change for the better. Until then, her bedroom was a dank windowless cellar, her activities confined to cooking and cleaning. Over the years, she had grown used to being abused by the Songoli family-to being their slave.
Now that Scotland Yard has swarmed the Songoli house to investigate the disappearance of the son, Muna is given a real bedroom, real clothing, and treated, at least nominally, as a daughter. But her world remains confined. She is not allowed to go outside, doesn't know how to read or write, and cannot speak English. At least that's what the Songolis believe. Before long it becomes clear that young Muna is far cleverer-and her plans more terrifying-than the Songolis, or anyone else, can ever imagine.
Industry Reviews
Praise for The Cellar A Deadly Pleasures Best Novel of the Year "When you read about sadists who have brutalized their housekeepers or au pairs, you try not to think about what life was like for those poor slaveys. But Minette Walters lets her imagination run free in The Cellar. An intimate and upsetting story about Ebuka and Yetunde Songoli, a rich immigrant couple from an unnamed West African nation who claimed 8-year-old Muna from an orphanage and took her to England . . . [Walters] writes with the subtle cruelty and pitiless insights of [Ruth Rendell's] alter ego, Barbara Vine."--Marilyn Stasio, New York Times Book Review "This short work reads like a recipe for evil and may well induce a nightmare or two . . . Sly pacing and a detached narrative voice give this horror story exceptional punch."--Kirkus Reviews (starred review) "The Cellar is a shocker . . . A powerful work . . . A multi-layered novel packed full to the brim of its pages with quiet horror and realism . . . If you are unfamiliar with Walters' other work, you will want to acquaint yourself sooner rather than later."--Bookreporter "Haunting . . . Walters nails a perfect blend of psychological suspense and social commentary that resonates long after the book is over."--Publishers Weekly "Those who enjoy their fairy tales fractured, in the style of Angela Carter and Roald Dahl, will revel in this decidedly dark and droll retelling of the story of a kick-ass Cinderella by veteran writer Walters."--Library Journal "A harrowing thriller . . . My blood ran cold, and I couldn't put it down. Walters' use of language is especially good . . . I highly recommend it."--Killer Nashville "A dark, disturbing tale told very, very well . . . A taut and harrowing exploration of man's capacity to inflict pain and cruelty in the complete absence of a moral compass. There are no subplots or extraneous characters to distract from this powerful story . . . Walters tells Muna's story in unsparing language . . . It is a remarkable achievement that starkly illustrates the horrors we are capable of inflicting upon one another."--Washington Independent Review of Books "A compulsive (and gruesome) read."--Independent (UK) "Creepy . . . a domestic horror about punishment and retribution."--Sydney Morning Herald Praise for The Cellar A Deadly Pleasures Best Novel of the Year When you read about sadists who have brutalized their housekeepers or au pairs, you try not to think about what life was like for those poor slaveys. But Minette Walters lets her imagination run free in The Cellar. An intimate and upsetting story about Ebuka and Yetunde Songoli, a rich immigrant couple from an unnamed West African nation who claimed 8-year-old Muna from an orphanage and took her to England . . . [Walters] writes with the subtle cruelty and pitiless insights of [Ruth Rendell s] alter ego, Barbara Vine. Marilyn Stasio, New York Times Book Review This short work reads like a recipe for evil and may well induce a nightmare or two . . . Sly pacing and a detached narrative voice give this horror story exceptional punch. Kirkus Reviews (starred review) The Cellar is a shocker . . . A powerful work . . . A multi-layered novel packed full to the brim of its pages with quiet horror and realism . . . If you are unfamiliar with Walters other work, you will want to acquaint yourself sooner rather than later. Bookreporter Haunting . . . Walters nails a perfect blend of psychological suspense and social commentary that resonates long after the book is over. Publishers Weekly Those who enjoy their fairy tales fractured, in the style of Angela Carter and Roald Dahl, will revel in this decidedly dark and droll retelling of the story of a kick-ass Cinderella by veteran writer Walters. Library Journal A harrowing thriller . . . My blood ran cold, and I couldn t put it down. Walters use of language is especially good . . . I highly recommend it. Killer Nashville A dark, disturbing tale told very, very well . . . A taut and harrowing exploration of man s capacity to inflict pain and cruelty in the complete absence of a moral compass. There are no subplots or extraneous characters to distract from this powerful story . . . Walters tells Muna s story in unsparing language . . . It is a remarkable achievement that starkly illustrates the horrors we are capable of inflicting upon one another. Washington Independent Review of Books "A compulsive (and gruesome) read."Independent (UK) "Creepy . . . a domestic horror about punishment and retribution."Sydney Morning Herald" Praise for "The Cellar" A "Deadly Pleasures" Best Novel of the Year When you read about sadists who have brutalized their housekeepers or au pairs, you try not to think about what life was like for those poor slaveys. But Minette Walters lets her imagination run free in "The Cellar." An intimate and upsetting story about Ebuka and Yetunde Songoli, a rich immigrant couple from an unnamed West African nation who claimed 8-year-old Muna from an orphanage and took her to England . . . [Walters] writes with the subtle cruelty and pitiless insights of [Ruth Rendell s] alter ego, Barbara Vine. Marilyn Stasio, "New York Times Book Review" This short work reads like a recipe for evil and may well induce a nightmare or two . . . Sly pacing and a detached narrative voice give this horror story exceptional punch. "Kirkus Reviews" (starred review) "The Cellar" is a shocker . . . A powerful work . . . A multi-layered novel packed full to the brim of its pages with quiet horror and realism . . . If you are unfamiliar with Walters other work, you will want to acquaint yourself sooner rather than later. Bookreporter Haunting . . . Walters nails a perfect blend of psychological suspense and social commentary that resonates long after the book is over. "Publishers Weekly" Those who enjoy their fairy tales fractured, in the style of Angela Carter and Roald Dahl, will revel in this decidedly dark and droll retelling of the story of a kick-ass Cinderella by veteran writer Walters. "Library Journal" A harrowing thriller . . . My blood ran cold, and I couldn t put it down. Walters use of language is especially good . . . I highly recommend it. Killer Nashville A dark, disturbing tale told very, very well . . . A taut and harrowing exploration of man s capacity to inflict pain and cruelty in the complete absence of a moral compass. There are no subplots or extraneous characters to distract from this powerful story . . . Walters tells Muna s story in unsparing language . . . It is a remarkable achievement that starkly illustrates the horrors we are capable of inflicting upon one another. Washington Independent Review of Books "A compulsive (and gruesome) read.""Independent" (UK) "Creepy . . . a domestic horror about punishment and retribution.""Sydney Morning Herald"" Praise for "The Cellar" When you read about sadists who have brutalized their housekeepers or au pairs, you try not to think about what life was like for those poor slaveys. But Minette Walters lets her imagination run free in "The Cellar." An intimate and upsetting story about Ebuka and Yetunde Songoli, a rich immigrant couple from an unnamed West African nation who claimed 8-year-old Muna from an orphanage and took her to England . . . [Walters] writes with the subtle cruelty and pitiless insights of [Ruth Rendell s] alter ego, Barbara Vine. Marilyn Stasio, "New York Times Book Review" This short work reads like a recipe for evil and may well induce a nightmare or two . . . Sly pacing and a detached narrative voice give this horror story exceptional punch. "Kirkus Reviews" (starred review) "The Cellar" is a shocker . . . A powerful work . . . A multi-layered novel packed full to the brim of its pages with quiet horror and realism . . . If you are unfamiliar with Walters other work, you will want to acquaint yourself sooner rather than later. Bookreporter Haunting . . . Walters nails a perfect blend of psychological suspense and social commentary that resonates long after the book is over. "Publishers Weekly" Those who enjoy their fairy tales fractured, in the style of Angela Carter and Roald Dahl, will revel in this decidedly dark and droll retelling of the story of a kick-ass Cinderella by veteran writer Walters. "Library Journal" A harrowing thriller . . . My blood ran cold, and I couldn t put it down. Walters use of language is especially good . . . I highly recommend it. Killer Nashville A dark, disturbing tale told very, very well . . . A taut and harrowing exploration of man s capacity to inflict pain and cruelty in the complete absence of a moral compass. There are no subplots or extraneous characters to distract from this powerful story . . . Walters tells Muna s story in unsparing language . . . It is a remarkable achievement that starkly illustrates the horrors we are capable of inflicting upon one another. Washington Independent Review of Books "A compulsive (and gruesome) read.""Independent" (UK) "Creepy . . . a domestic horror about punishment and retribution.""Sydney Morning Herald"" Praise for "The Cellar" This short work reads like a recipe for evil and may well induce a nightmare or two . . . Sly pacing and a detached narrative voice give this horror story exceptional punch. "Kirkus Reviews" (starred review) Haunting . . . Walters nails a perfect blend of psychological suspense and social commentary that resonates long after the book is over. "Publishers Weekly" Those who enjoy their fairy tales fractured, in the style of Angela Carter and Roald Dahl, will revel in this decidedly dark and droll retelling of the story of a kick-ass Cinderella by veteran writer Walters. "Library Journal" A harrowing thriller . . . My blood ran cold, and I couldn t put it down. Walters use of language is especially good . . . I highly recommend it. Will Lasley, Killer Nashville "A compulsive (and gruesome) read.""Independent" (UK) "Creepy . . . a domestic horror about punishment and retribution.""Sydney Morning Herald" Praise for Minette Walters: "[Walters] takes the suspense novel into new territory.""New York Times Book Review," on "The Devil's Feather" Walters has established herself as Britain s leading writer of thought-provoking and chilling psychological thrillers . . . A powerful, acute and vivid work from a staggeringly talented writer. "Guardian" (UK), on "Disordered Minds" "Walters is a rare breed: the kind of author who can concoct believable characters and set them down in the middle of entertaining plots that address timeless moral issues.""Denver Post," on "The Devil's Feather" Fans of Edgar-winner Walter will welcome this collection . . . everything falls into place to produce a shockingly different picture than expected. "Publishers Weekly," on "Innocent Victims"" Praise for "The Cellar" "A compulsive (and gruesome) read.""Independent" (UK) "Creepy . . . a domestic horror about punishment and retribution.""Sydney Morning Herald" Praise for Minette Walters: "[Walters] takes the suspense novel into new territory.""New York Times Book Review," on "The Devil's Feather" Walters has established herself as Britain s leading writer of thought-provoking and chilling psychological thrillers . . . A powerful, acute and vivid work from a staggeringly talented writer. "Guardian" (UK), on "Disordered Minds" "Walters is a rare breed: the kind of author who can concoct believable characters and set them down in the middle of entertaining plots that address timeless moral issues.""Denver Post," on "The Devil's Feather" Fans of Edgar-winner Walter will welcome this collection . . . everything falls into place to produce a shockingly different picture than expected. "Publishers Weekly," on "Innocent Victims""
