| Editor's note | |
| Introduction | |
| Self | p. 1 |
| The Mother Lode | p. 2 |
| My Father's House | p. 15 |
| Sugar Daddy | p. 19 |
| Notes from a Maternity Ward | p. 29 |
| Fools Are My Theme | p. 31 |
| Notes from the Front Line | p. 36 |
| Anger in a Black Landscape | p. 43 |
| Body Languages | p. 53 |
| Lovely Linda | p. 54 |
| Fat Is Ugly | p. 56 |
| A Well-Hung Hang-Up | p. 60 |
| Health on the Brain | p. 64 |
| Georges Bataille: Story of the Eye | p. 68 |
| Edward Shorter: A History of Women's Bodies | p. 70 |
| Eric Rhode: On Birth and Madness | p. 73 |
| The New Vegetarians | p. 79 |
| Saucerer's Apprentice | p. 83 |
| Jessica Kuper (ed.): The Anthropologist's Cookbook | p. 86 |
| Barbara Tims (ed.): Food in Vogue | p. 88 |
| Elizabeth David: English Bread and Yeast Cookery | p. 91 |
| An Omelette and a Glass of Wine and Other Dishes | p. 96 |
| Patience Gray: Honey from a Weed | p. 100 |
| Notes for a Theory of Sixties Style | p. 105 |
| The Wound in the Face | p. 109 |
| Trouser Protest | p. 113 |
| Year of the Punk | p. 117 |
| The Bridled Sweeties | p. 122 |
| Ted Polhemus and Lynn Procter: Fashion and Anti-Fashion | p. 126 |
| David Kunzle: Fashion and Fetishisms | p. 127 |
| The Recession Style | p. 130 |
| Lou Taylor: Mourning Dress | p. 134 |
| Elizabeth Wilson: Adorned in Dreams | p. 138 |
| Roland Barthes: The Fashion System | p. 142 |
| Arthur Marwick: Beauty in History | p. 144 |
| Home and Away | p. 149 |
| Bradford: Industry as Artwork | p. 150 |
| Fin de Siecle | p. 153 |
| The Oss Has His Day | p. 157 |
| Bath, Heritage City | p. 161 |
| What the Hell - It's Home! | p. 165 |
| The Donnie Ferrets | p. 169 |
| The Paris of the North | p. 173 |
| D'You Mean South? | p. 177 |
| Poets in a Landscape | p. 181 |
| So There'll Always Be an England | p. 185 |
| Masochism for the Masses | p. 189 |
| Michael Moorcock: Mother London | p. 195 |
| Iain Sinclair: Downriver | p. 196 |
| My Maugham Award | p. 203 |
| The Back of Beyond | p. 205 |
| Triple Flavour | p. 208 |
| Wet Dream City | p. 211 |
| A Petrified Harvest | p. 215 |
| Bread on Still Waters | p. 219 |
| Munch and Antibiotics | p. 223 |
| Constructing an Australia | p. 227 |
| Tokyo Pastoral | p. 231 |
| People as Pictures | p. 234 |
| Mishima's Toy Sword | p. 238 |
| Once More into the Mangle | p. 244 |
| Poor Butterfly | p. 249 |
| Death in Japan | p. 254 |
| A Fertility Festival | p. 257 |
| Murasaki Shikibu: The Tale of Genji | p. 262 |
| Ian Buruma: A Japanese Mirror | p. 265 |
| Junichiro Tanizaki: Naomi | p. 267 |
| Tom Wolfe | p. 271 |
| That Arizona Home | p. 275 |
| Snow-Belt America | p. 279 |
| The Rise of the Preppies | p. 283 |
| Anne Campbell: The Girls in the Gang | p. 287 |
| Edmund White: The Beautiful Room Is Empty | p. 289 |
| Looking | p. 293 |
| At the Zoo | p. 294 |
| Animals in the Nursery | p. 298 |
| In the Bear Garden | p. 301 |
| Little Lamb, Get Lost | p. 305 |
| All Creatures Great and Small | p. 309 |
| Now Is the Time for Singing | p. 314 |
| Bob Dylan on Tour | p. 323 |
| A Busker (Retired) | p. 325 |
| The Good Old Songs | p. 328 |
| Giants' Playtime | p. 332 |
| Wagner and the Mistral | p. 336 |
| Fun Fairs | p. 340 |
| Carlos Moore: Fela Fela | p. 345 |
| Phyllis Rose: Jazz Cleopatra | p. 347 |
| Femmes Fatales | p. 350 |
| Japanese Erotica | p. 354 |
| Much, Much Stranger than Fiction | p. 358 |
| Bertolucci: La Luna | p. 362 |
| Hal Ashby: Being There | p. 368 |
| The Draughtsman's Contract | p. 372 |
| The Belle as Businessperson | p. 377 |
| Jean-Luc Godard | p. 380 |
| Robert Coover: A Night at the Movies | p. 382 |
| Hollywood | p. 384 |
| Barry Paris: Louise Brooks | p. 387 |
| In Pantoland | p. 393 |
| The Granada, Tooting | p. 400 |
| Theatre of the Absurd | p. 401 |
| Acting It Up on the Small Screen | p. 405 |
| The Box Does Furnish a Room | p. 409 |
| Monkey Business | p. 412 |
| The Wonderful World of Cops | p. 416 |
| Berthold Hinz: Art in the Third Reich | p. 420 |
| Treasures of Ancient Nigeria | p. 422 |
| Artists of the Tudor Court | p. 426 |
| Pontus Hulten: The Arcimboldo Effect | p. 430 |
| Three Women Artists | p. 431 |
| Frida Kahlo | p. 433 |
| Stories and Tellers | p. 439 |
| Jorge Luis Borges: An Introduction to English Literature | p. 440 |
| The Hidden Child | p. 443 |
| The Art of Horrorzines | p. 447 |
| The Better to Eat You With | p. 451 |
| An I for Truth | p. 455 |
| Latin Rhythms | p. 459 |
| Yashar Kemal: The Lords of Akchasaz | p. 461 |
| William Burroughs: Ah Pook Is Here | p. 462 |
| William Burroughs: The Western Lands | p. 463 |
| The German Legends of the Brothers Grimm | p. 465 |
| The Sweet Sell of Romance | p. 468 |
| Robert Darnton: The Great Cat Massacre | p. 473 |
| Irish Folk Tales, Arab Folktales | p. 476 |
| Bruce Chatwin: The Songlines | p. 478 |
| Through a Text Backwards: The Resurrection of the House of Usher | p. 481 |
| Milorad Pavic: Dictionary of the Khazars | p. 490 |
| Milorad Pavic: Landscape Painted with Tea | p. 496 |
| Lorenzo the Closet Queen | p. 498 |
| The Life of Katherine Mansfield | p. 504 |
| The Alchemy of the Word | p. 506 |
| F. Scott Fitzgerald: The Great Gatsby | p. 512 |
| Grace Paley: The Little Disturbances of Man and Enormous Changes at the Last Minute | p. 515 |
| Colette | p. 518 |
| Carol Ascher: Simone de Beauvoir | p. 527 |
| D. H. Lawrence, Scholarship Boy | p. 530 |
| Envoi: Bloomsday | p. 535 |
| Alison's Giggle | p. 541 |
| Trials of a Booker Judge | p. 553 |
| J. G. Ballard: Empire of the Sun | p. 557 |
| The End: Reading South Africa | p. 562 |
| Christina Stead | p. 567 |
| Vladimir Nabokov: the Enchanter | p. 581 |
| Peter Carey: Oscar and Lucinda | p. 583 |
| Salman Rushdie: The Satanic Verses | p. 586 |
| Love in a Cold Climate | p. 588 |
| Colin Greenland: Michael Moorcock: Death Is No Obstacle | p. 600 |
| Introduction to Expletives Deleted | p. 604 |
| Chronology of Journalism and Occasional Writings (1964-91) | p. 609 |
| Index | p. 625 |
| Table of Contents provided by Blackwell. All Rights Reserved. |