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But as Ayla and Jondalar prepare for the formal mating at the Summer Meeting, there are difficulties. Not all the Zelandonii are welcoming. Some fear Ayla’s unfamiliar ways and abhor her relationship with those they call flatheads and she calls Clan. Some even oppose her mating with Jondalar, and make their displeasure known. Ayla has to call on all her skills, intelligence, knowledge, and instincts to find her way in this complicated society, to prepare for the birth of her child, and to decide whether she will accept new challenges and play a significant role in the destiny of the Zelandonii.
Jean Auel is at her very best in this superbly textured creation of a prehistoric society. The Shelters of Stone is a sweeping story of love and danger, with all the wonderful detail—based on meticulous research— that makes her novels unique. It is a triumphant continuation of the Earth’s Children® saga that began with The Clan of the Cave Bear. And it includes an amazing rhythmic poem that describes the birth of Earth’s Children and plays its own role in the narrative of The Shelters of Stone.
About the Author
Born in Chicago in 1936, Jean Marie Untinen married Ray Bernard Auel after high school, raised five children, and attended college at night while working for an electronics firm in Portland, Oregon. Shortly after earning her MBA in 1976, she was inspired by a story idea so powerful it effectively consumed her for the next few years. In a single creative burst, she conceived a sweeping epic set in prehistoric Europe and featuring a unique heroine: a young Cro-Magnon woman named Ayla, raised as a misfit in a society of inhospitable Neandertals. Auel quit her job, immersed herself in research, and began writing nearly nonstop.
At first, Auel imagined she had the makings of a single book. But when she completed her first draft (more than 450,000 words!), she realized that the story fell naturally into six parts, each one demanding a novel all its own. She worked feverishly on the first installment, revising parts of it as many as 20 and 30 times. Published in 1980, The Clan of the Cave Bear became an instant bestseller, marking the start of the thrilling, totally original Ice Age saga, Earth's Children.
The series owes much of its appeal to Auel's feminist protagonist Ayla, a preternaturally resourceful woman with all the skills and abilities of men but without their warlike qualities. She is the first to ride a horse, tame a wolf, and make fire from flint; she understands the healing power of herbs; and, as the novels progress, she develops mystical, even shamanic powers. Readers were understandably intrigued.
Although Auel writes speculative fiction, she receives high marks for historical accuracy. In the interest of creating an authentic Ice Age setting, her research has led her in interesting, unpredictable directions. She has read extensively, traveled to archeological sites around the world, and learned through various sources how to knapp flint, tan hides, construct snow caves, and prepare medicinal herbs. What emerges in her writing is a precise evocation of time and place that provides a realistic and enthralling backdrop to Ayla's adventures.
Industry Reviews
"Pure entertainment at its sublime, wholly exhilarating best."--Los Angeles Times
"Auel may be creating one of the most believable characters in English fiction--one to rank with Sherlock Holmes, Scarlett O'Hara and a handful of others." --UPI
ISBN: 9780553289428
ISBN-10: 055328942X
Series: Earth's Children
Published: 1st July 2003
Format: Paperback
Language: English
Number of Pages: 895
Audience: General Adult
Publisher: BANTAM TRADE
Country of Publication: US
Dimensions (cm): 17 x 10 x 3.5
Weight (kg): 0.33

Jean Marie Auel
I was born on February 18, 1936 in Chicago, Illinois, the second of five children. My grandparents were Finnish immigrants and my parents were born on dairy farms in Northern Michigan, about 150 miles apart, and met in Chicago when they moved to the big city to find work. I grew up in Chicago, although the family used to drive to Michigan in the summer and spend time on both of my grandparents’ farms, so I knew that milk didn’t just come from a grocery store. My parents were intelligent, but they were working people. Advanced education was never stressed. My mother’s goal for me was the same as that of most mothers of teen-age daughters in the 1950’s: get married and have children. In truth, it disturbed her when I turned out to be bookworm who was always reading, and then learned typing and shorthand so I could have a career as a secretary. That was a bit too independent for the 50’s.
But, in 1954, shortly after graduation from high school, I married Ray Auel; he was 19, and in the Air Force. It was the Korean War then and Ray was training to maintain airplanes, particularly the hydraulic mechanism of the in-flight refueling system. Fortunately, by the time they were ready to send him overseas, the war was over. He was discharged in 1956. His father lived in Oregon, and we wanted to start our new life in a new place, so with one child and expecting a second, we moved to Oregon.
Ray went to college on the GI Bill—funds made available to veterans by the Government for education that was interrupted to serve in the military—and worked full-time to support a growing family. I worked at temporary and part-time clerical jobs to help out, and had more children: five before my 25th birthday. I now have 15 grand children and eight great grandchildren.
Neither my husband nor I had an undergraduate degree, though we had both taken college courses. We got the necessary letters and met with the dean, only after we took the test and passed it with the higher score. We were both accepted. Four years later, in May 1976, we both received MBA’s from U of Portland. I was 40 years old, and by then, after going through a management training program at the company, I was a credit manager.
So how did I go from a reasonably successful career in business to writing novels set in the Ice Age? It began with discontent. Circuit board design had been fun, it was puzzle-solving for pay, but though the company had paid for my business education, the MBA, I discovered there was no place for me to grow. I kept running into a brick wall when I wanted to move up— nowadays it’s called a “glass ceiling.” In November 1976, a few months after getting my MBA, after 12 years with the electronics company, I quit. I planned to look for some other wonderful, exciting job in business.
I spun wheels applying for jobs, trying to decide what I wanted to do. Then, one day in late January 1977 I got an idea for a story about a young woman, who was living with people who were different, not just superficially–color of hair, or eyes, or skin–but substantially different. Of course, they thought she was different and viewed her with suspicion, but they allowed her to stay because she was taking care of an old man with a crippled arm.
I don’t know where that thought came from, I can’t tell you any more than any other writer can where ideas come from. Most writers don’t know, though if pressed, they may think of something in hindsight to satisfy questions. I’d been writing poetry for about ten years, but not fiction. But I began to wonder, could I write a short story like that?
That’s how it began. I wonder if I can write a short story?
To read Jean’s revealing answers to the Booktopia Book Guru’s TEN TERRIFYING QUESTIONS…and to leave a comment - CLICK HERE
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